Results 301 to 310 of about 3,347,826 (347)
Some of the next articles are maybe not open access.
International Journal of Music Education, 2022
Adolescent music preferences revolve around so-called popular music, specifically that which is highly manipulated by audio and music production technologies and aimed at the mass market.
Adrien Faure-Carvallo +2 more
semanticscholar +1 more source
Adolescent music preferences revolve around so-called popular music, specifically that which is highly manipulated by audio and music production technologies and aimed at the mass market.
Adrien Faure-Carvallo +2 more
semanticscholar +1 more source
The dynamics of musical strings
The Journal of the Acoustical Society of America, 1991The resonance contours of a number of musical strings have been traced when operating in isolation from an instrument body, with more precisely defined loading and terminal conditions than are found in normal use, and with very small excitation amplitudes.
openaire +2 more sources
Perception of music dynamics in concert hall acoustics.
Journal of the Acoustical Society of America, 2016Dynamics is one of the principal means of expressivity in Western classical music. Still, preceding research on room acoustics has mostly neglected the contribution of music dynamics to the acoustic perception.
J. Pätynen, T. Lokki
semanticscholar +1 more source
Analysis of Musical Dynamics in Vocal Performances
2023Dynamics are one of the fundamental tools of expressivity in a performance. While the usage of this tool is highly subjective, a systematic methodology to derive loudness markings based on a performance can be highly beneficial. With this goal in mind, this paper is a first step towards developing a methodology to automatically transcribe dynamic ...
Narang, Jyoti +3 more
openaire +2 more sources
The dynamics of dynamics: A model of musical expression
The Journal of the Acoustical Society of America, 1992A computational model of musical dynamics is proposed that complements an earlier model of expressive timing. The model, implemented in the artificial intelligence language LISP, is based on the observation that a musical phrase is often indicated by a crescendo/decrescendo shape.
openaire +2 more sources
Generating Music from Flocking Dynamics [PDF]
2012 American Control Conference (ACC), 2012 We explore different approaches for generating music from the flocking dynamics of groups of mobile autonomous agents following a simple decentralized control rule. By developing software that links these dynamics to a set of sound wave generators, we study how each approach reflects sonically the transition to collective order and which produces ...
Cristián Huepe +2 more
openaire +1 more source
Musical Skin: A Dynamic Interface for Musical Performance
2011Compared to pop music, the audience of classical music has decreased dramatically. Reasons might be the way of communication between classic music and its audience that depends on vocal expression such as timbre, rhythm and melody in the performance. The fine details of classic music as well its implied emotion among the notes become implicit to the ...
Heng Jiang, Teng-Wen Chang, Cha-Lin Liu
openaire +2 more sources
MuVi: Video-to-Music Generation with Semantic Alignment and Rhythmic Synchronization
arXiv.orgGenerating music that aligns with the visual content of a video has been a challenging task, as it requires a deep understanding of visual semantics and involves generating music whose melody, rhythm, and dynamics harmonize with the visual narratives ...
Ruiqi Li +5 more
semanticscholar +1 more source
Musical Automata as Dynamical Systems
Adaptive Behavior, 2006This paper explores the use of dynamical systems as a framework for understanding how musically autonomous behavior can be achieved in artifact. Just as dynamics has offered a breakout strategy for the perceived limitations of artificial intelligence, so too can dynamics offer a solution to the current limitations of autonomous generative music ...
openaire +2 more sources
A dynamical approach to music analysis
Journal of Mathematics and Music, 2012It is possible to identify significant units of a piece of music, like salient motifs or tonally prominent pitch classes, by looking at the stable states of suitably defined dynamic systems associated with the piece and analytical paradigms assigned to the piece.
openaire +2 more sources