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Generating Music from Flocking Dynamics [PDF]

2012 American Control Conference (ACC), 2012
We explore different approaches for generating music from the flocking dynamics of groups of mobile autonomous agents following a simple decentralized control rule. By developing software that links these dynamics to a set of sound wave generators, we study how each approach reflects sonically the transition to collective order and which produces ...
Cristián Huepe, Rodrigo F. Cádiz, Marco Colasso   +2 more
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Musical Automata as Dynamical Systems

Adaptive Behavior, 2006
This paper explores the use of dynamical systems as a framework for understanding how musically autonomous behavior can be achieved in artifact. Just as dynamics has offered a breakout strategy for the perceived limitations of artificial intelligence, so too can dynamics offer a solution to the current limitations of autonomous generative music ...
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A dynamical approach to music analysis

Journal of Mathematics and Music, 2012
It is possible to identify significant units of a piece of music, like salient motifs or tonally prominent pitch classes, by looking at the stable states of suitably defined dynamic systems associated with the piece and analytical paradigms assigned to the piece.
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Musical dynamics with keyboard instruments

The Journal of the Acoustical Society of America, 1989
Keyboard instruments provide the extreme cases of wide or narrow dynamic ranges. The harpsichord mechanism apparently has a fixed dynamic level, aside from registration changes. But performers do claim to have some expressive control, and it may be asked whether measureable physical differences can be demonstrated.
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Isolating the dynamic attributes of musical timbrea)

The Journal of the Acoustical Society of America, 1993
Three experiments examined the dynamic attributes of timbre by evaluating the role of onsets in similarity judgments. In separate experiments, subjects heard complete orchestral instrument tones, the onsets of those tones, and tones with the onsets removed (‘‘remainders’’).
Paul Iverson, Carol L. Krumhansl
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EEG dynamics during music appreciation

2009 Annual International Conference of the IEEE Engineering in Medicine and Biology Society, 2009
This study explores the electroencephalographic (EEG) correlates of emotions during music listening. Principal component analysis (PCA) is used to correlate EEG features with complex music appreciation. This study also applies machine-leaning algorithms to demonstrate the feasibility of classifying EEG dynamics in four subjectively-reported emotional ...
Tzyy-Ping Jung, Yuan-Pin Lin, Jyh-Horng Chen   +2 more
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A Dynamical Systems Perspective on Music

Journal of Musicology, 1997
Any analytical approach makes a claim about the nature of its object and what is important in it. It is appropriate therefore for me to preface my advocacy of a dynamical systems approach to the analysis of music with a brief statement of my own view of music, concentrating on two points.
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Dynamic Semantic Music Notation

2017
The Music Encoding Initiative (MEI) XML schema expresses musical structure addressing score elements at musically meaningful levels of granularity (e.g., individual systems, measures, or notes). While this provides a comprehensive representation of music content, only concepts and relationships provided by the MEI schema can be encoded.
David M. Weigl, Kevin R. Page
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Symmetries and dynamics of musical scales

The Journal of the Acoustical Society of America, 2001
Configurational potential energy, as well as complexity, may be used as a measure for musical scales. To show this, complexities C(n) and energies E(n) of equally tempered scales with the interval structure n={n1,n2,...,nM} for N=12 semitones and M=7 notes are compared. Complexity is the sum of sharps and flats in a scale.
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Adaptive dynamics of musical listening

Contemporary Music Review, 1989
The paper addressess issues related to the self-organization of the musical mind during perceptual learning: in particular, adaptation and changes of mental musical representations. The change of representation in response to perceptual information is called adaptive dynamics: a key concept in our understanding of all musical information processing ...
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