Results 1 to 10 of about 396,880 (302)

Point(s) d’écart chez E. E. Cummings

Sillages Critiques, 2011
This article poses the problem of ‘écart’ or deviation as a relative one, in other words as intrinsic to the creative act. The argument then concerns degrees and levels of what it considers, paradoxically, to be the norm.
Penelope Sacks-Galey
doaj   +2 more sources

Teaching E. E. Cummings’ No Thanks

Transatlantica
The reading of a modernist book of poems such as No Thanks (1935) by E. E. Cummings is affected and impacted by what may be regarded as minor changes in the book presentation, such as the presence or absence of an introduction to the collection, as well ...
Isabelle Alfandary
doaj   +4 more sources

Publicidad y poesía en el nuevo ecosistema literario: un estudio en el marco de YouTube

Ocnos, 2019
Son varios los especialistas que han llamado la atención sobre la existencia de un cambio de paradigma en la mediación lectora en el que la escuela no es ya la principal prescriptora de lectura y las redes sociales y la web cobran cada vez más ...
Juan Senís
doaj   +11 more sources

A Stylistic Analysis of the Linguistic Deviations in Cummings’ “In Just-/Spring”

Lingual, 2023
E. E. Cummings, known as a pioneer and a distinguished representative in the area of experimental poetry in the 20th century, enjoys enduring fame and great popularity for the simplicity of his language and the playful mode in his poems. “in Just-/spring”
Sufen Wu
doaj   +1 more source

vThe Formal Deviant: The Innovative Features of E. E. Cummings’s ‘next to of course god america i’ [PDF]

Westcliff International Journal of Applied Research, 2019
This article explores the modernist American poet, E. E. Cummings, and his experimentations with the traditional sonnet form in poetry. E. E. Cummings was an influenced by cubism and used the principles of this form to stylize his poetry.
C.B. Viner
doaj   +1 more source

Reading blank space from an ecopoetic perspective in selected poems by E.E. Cummings and William Carlos Williams

Literator, 2022
Sorrow is perhaps the usual response to the disappearance of things into ‘nowhere’. The use of blank space in the poetry of E. E. Cummings and William Carlos Williams indicates an alternative response: to accept and even celebrate this.
Etienne J. Terblanche
doaj   +1 more source

Nâzım Hikmet’in “Orkestra”sı: Üslupbilimsel Bir Çözümleme

Dil ve Edebiyat Araştırmaları Dergisi, 2018
Türk ve dünya edebiyatında şiirde şekil değiştirme eğilimi çoğu zaman farklı okumalara kapı aralar. Bu çalışmada iki şiirden yola çıkarak söz konusu mesele değerlendirilecektir. Makalede, Dan McIntyre’ın E. E.
Tuba Yılmaz, Mustafa Balcı
doaj   +1 more source

TRADUCIR Y CREAR: LA EXPERIENCIA DE LA TRANSCREACIÓN EN UN POEMA DE E. E. CUMMINGS

Metáfora, 2023
La teoría de la transcreación poética, propuesta por los poetas concretos Haroldo y Augusto de Campos, líderes del grupo Noigandres, plantea comprender la traducción como una forma de creación y conocimiento del poema.
Pamela Angela Medina Garcia
doaj   +1 more source

Poison Frog Colors Are Honest Signals Of Toxicity, Particularly For Bird Predators [PDF]

, 2012
Antipredator defenses and warning signals typically evolve in concert. However, the extensive variation across taxa in both these components of predator deterrence and the relationship between them are poorly understood.
Cummings, Molly E., Maan, Martine E.
core   +3 more sources

Laser-induced thermal acoustics: simple accurate gas measurements [PDF]

, 1994
Laser-induced thermal acoustics (LITA), an optical four-wave mixing technique, has been used for sensitive measurement of the sound speed, thermal diffusivity, acoustic damping rate, and complex susceptibility of a gas.
Cummings, E. B.
core   +1 more source