Results 51 to 60 of about 109 (99)

History/ Fiction: An Intertextual reading of E. L. Doctorow’s Ragtime

open access: yes3L: The Southeast Asian Journal of English Language Studies, 2014
Zohreh Ramin, Seyyed Mohammad Marandi
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E. L. Doctorow: A Romantic Gnostic in Postmodern Context

open access: yesProceedings of the 2nd Symposium on Health and Education 2019 (SOHE 2019), 2019
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E. L. Doctorow's WORLD'S FAIR: The Political Power of Ventriloquism

Explicator, 2017
Treating the novel as an autobiography, critics have sought to elucidate how in World's Fair, E. L.
Zohreh Ramin
exaly   +2 more sources

E. L. Doctorow and the Technology of Narrative

PMLA/Publications of the Modern Language Association of America, 1985
The work of E. L. Doctorow is difficult to place on the map of postmodernism because he is equally concerned with narrative or representational technique and with issues of history, power, and identity. Doctorow has focused his concerns in the question of technology, representing in each of his major works technological principles that not only typify ...
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E. L. Doctorow

2017
E. L. (Edgar Laurence) Doctorow (b. 1931–d. 2015) is a well-established American writer of twelve novels, three collections of short stories, one play, several screenplays, and numerous essays and miscellaneous items. A native of New York City and a descendent of Russian Jewish immigrants, Doctorow grew up in the Bronx.
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E. L. Doctorow: Ragtime

2018
In his 1975 novel Ragtime E. L. Doctorow depicts the political and social mores of the USA in the early years of the twentieth century. Juchler opens this chapter with an analysis of political factors evoked in the novel, notably the white population’s complacency, imperialism, and racism, showing also that these mindsets persist today and are still ...
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The Politics of Polyphony: The Fiction of E. L. Doctorow

Twentieth Century Literature, 1991
"The chief business of twentieth-century philosophy," R. G. Collingwood remarks in his Autobiography, "is to reckon with twentiethcentury history." In the fifty years since Collingwood wrote those words that "reckoning" with history has become increasingly problematic, especially when considering the situation of the contemporary writer. Describing the
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