Results 21 to 30 of about 1,236 (188)
Language Kingdom in William Shakespeare’s King Learand Edward Bond’s Lear
This paper aims to investigate the role of language as a form of political and social control, and a vehicle for power and domination in Shakespeare’s King Lear and Edward Bond’s Lear on parallel bases.
Fatemeh Mahmoudi-Tazehkand
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Most of the names of the cat characters in T. S. Eliot's Old Possum's Book of Practical Cats are of the “peculiar, and more dignified” type, rather than everyday names, and depend either on sound or on meaning, occasionally on both.
Anne H. Lambert
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Réécriture des pièces de Shakespeare : l’enjeu de la modernité ?
Shakespeare’s works remain a reference when artists — either playwrights or stage professionals — aim at philosophising on human nature. These artists use the Shakespearean material to give vent to their own imagination and critical approach to the world
Estelle Rivier
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In his tragedy King Lear (1605) William Shakespeare explores the human psyche through a story of an old king who gives up his land to his two eldest daughters and finds himself forced to wander in the space of the outcasts.
Ana Abril Hernández
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This article discusses the interlingual and cross-cultural resonances of the Irish language in the English and French intertextuality of O’Nolan’s short fiction and column writing through the coordinate of 'interfusionality.' The argument follows ...
Joseph LaBine
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The essay explores Lear’s contribution to the Victorian aesthetic debate, characterized by a marked resistance to the literary use of sensation (epitomised in Wilkie Collins’ fiction), and in which, according to Bourdieau and to many critics after him,
Antinucci, Raffaella
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Actantial Models in the Owl and the Pussy-cat: A Narrative Scheme on Poem
The study entitled "Actantial Model in The Owl and The Pussy Cat by Edward Lear: A Narrative Scheme on Poem " revealed a narration scheme to find out three models in narration text, namely the function model, action model, and narration model realized in
Sarif Syamsu Rizal
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Crying Fire in a Theatre: Auden's Harlequinades
This essay examines Auden's growing disillusionment with England during the 1930s, culminating in his leaving for New York in early 1939. Focussing on those poems which were to be published in Another Time (1941), Auden's first collection as an ...
Michael Murphy
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The “Bundle” in Edward Bond’s Plays, an Avatar of the Unspeakable “Thing”
As suggested by Stéphane Lojkine, works of art chiefly operate through the scopic impressions they make on spectators’ minds. While opening out on to the mimesis, such artefacts as the “screen” and the “scene” actually unveil what they are designed to ...
Claude Gourg
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The versatility of the appropriation of Shakespeare in recent years has been witnessed in a variety of registers and media, which range from special effects on the stage, music, cartoons, comics, advertisements, all the way to video games.
Dana Percec
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