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A long literary tradition of using language to describe a non-verbal artwork or object, real or imagined, ekphrasis stages conflicts between words and images, movement and stasis, speech and silence, life and death. These tensions are often implicitly or explicitly gendered. Don DeLillo is a word-painter who frequently includes ekphrasis as a model for
Behluli, Sofie, Rippl, Gabriele
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Abstract Ekphrasis is a Greek term whose etymological meaning is “to speak out” or “to show in full.” Debates on ekphrasis go back to classical antiquity and Homer’s lines on Hephaestos making Achilles’ shield in Book 18 of the epic The Iliad (8th century bce).
Stavru Alessandro
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2020
This chapter examines the literary technique of ekphrasis, defining it in terms of its intended effect on the audience: the vivid representation of an image to the mind’s eye, so as to evoke an emotional or other response. Ekphrasis makes an object appear present to an audience; it can be rich in detail or deftly brief.
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This chapter examines the literary technique of ekphrasis, defining it in terms of its intended effect on the audience: the vivid representation of an image to the mind’s eye, so as to evoke an emotional or other response. Ekphrasis makes an object appear present to an audience; it can be rich in detail or deftly brief.
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Bernard Shaw and His Contemporaries, 2019
D. S. MacColl’s 1898 review of Charles Conder’s paintings on silk provides an opportunity to analyse the embodied, subjective and multisensory qualities of aesthetic spectatorship promoted in Edwardian art writing, and this chapter draws on phenomenological approaches to investigate the role played by imaginative, conceptual and narrative space in ...
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D. S. MacColl’s 1898 review of Charles Conder’s paintings on silk provides an opportunity to analyse the embodied, subjective and multisensory qualities of aesthetic spectatorship promoted in Edwardian art writing, and this chapter draws on phenomenological approaches to investigate the role played by imaginative, conceptual and narrative space in ...
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Poster advertising Ekphrasis, presented by Remote Control Instant Music Creation at La Mama Carlton.
University of Melbourne Student Union
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English and American Studies in German, 2003
Der Leser einer Kunstbeschreibung (Ekphrasis) ist bei der Lekture einem standigen Oszillieren zwischen Text und Bild ausgesetzt. Die vorliegende Untersuchung geht anhand verschiedener Beispiele den Einsichten nach, die die mittelalterliche Literatur ihren Lesern eroffnet, indem sie immer wieder Bild- und Architekturbeschreibungen in den linearen Fluss ...
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Der Leser einer Kunstbeschreibung (Ekphrasis) ist bei der Lekture einem standigen Oszillieren zwischen Text und Bild ausgesetzt. Die vorliegende Untersuchung geht anhand verschiedener Beispiele den Einsichten nach, die die mittelalterliche Literatur ihren Lesern eroffnet, indem sie immer wieder Bild- und Architekturbeschreibungen in den linearen Fluss ...
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2023
This essay provides an associatively structured overview of the wide field of painting and ekphrasis in Sebald’s work. Starting with Sebald’s collaborations with his friend and artist Jan Peter Tripp, the essay moves to his use of Rembrandt’s The Anatomy Lesson of Dr Nicolaes Tulp (1632) in The Rings of Saturn.
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This essay provides an associatively structured overview of the wide field of painting and ekphrasis in Sebald’s work. Starting with Sebald’s collaborations with his friend and artist Jan Peter Tripp, the essay moves to his use of Rembrandt’s The Anatomy Lesson of Dr Nicolaes Tulp (1632) in The Rings of Saturn.
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