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Ekphrasis as evidence: forensic rhetoric in contemporary documentary poetry
Word and Image, 2021Olivia Milroy Evans
exaly
2018
The chapter explores the double quality of the image via the work of the contemporary French philosopher Jean-Luc Nancy, notably through his notions of ‘exscription’ and touch. In Nancy’s thought, signification and presence, the readable and the visible are articulated in a relation of mutual touching and withdrawal that is lateral, metonymic, and ...
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The chapter explores the double quality of the image via the work of the contemporary French philosopher Jean-Luc Nancy, notably through his notions of ‘exscription’ and touch. In Nancy’s thought, signification and presence, the readable and the visible are articulated in a relation of mutual touching and withdrawal that is lateral, metonymic, and ...
openaire +1 more source
Ekphrasis and the frame: on paintings in Gogol, Tolstoy, and Dostoevsky
Word and Image, 2016Stiliana Milkova
exaly