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2017
In discussing word-and-image interactions, ekphrasis and adaptation are frequently cited as major instances of intermedial transposition. Ekphrasis, redefined as “the verbal representation of real or fictive configurations composed in a non-kinetic visual medium,” can occur in literary and non-literary texts and represent two- and three-dimensional ...
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In discussing word-and-image interactions, ekphrasis and adaptation are frequently cited as major instances of intermedial transposition. Ekphrasis, redefined as “the verbal representation of real or fictive configurations composed in a non-kinetic visual medium,” can occur in literary and non-literary texts and represent two- and three-dimensional ...
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An Introduction to the Field of Ekphrasis, or Ekphrasis is a Verb, not a Noun
2011The art critic Roberta Smith discusses the process of writing reviews of museum or gallery shows that are accessible to a large number of the public: “Art accumulates meaning through an extended collaborative act.… You put into words something that everyone has seen. That click from language back into the memory bank of experience is so exquisite.
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Aretaeus and the Ekphrasis of Agony
Classical Antiquity, 2020As an imperial Greek author of both cultural and stylistic interest, Aretaeus deserves to be more widely read. His most riveting disease descriptions bring before our eyes the spectacle of the human body in extreme states of suffering and dehumanization.
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Bulletin des anglicistes médiévistes, 2007
Bourgne Florence. Chaucer's New Ekphrasis. In: Bulletin des anglicistes médiévistes, N°71, Été 2007. pp. 7-20.
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Bourgne Florence. Chaucer's New Ekphrasis. In: Bulletin des anglicistes médiévistes, N°71, Été 2007. pp. 7-20.
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2019
D. S. MacColl’s 1898 review of Charles Conder’s paintings on silk provides an opportunity to analyse the embodied, subjective and multisensory qualities of aesthetic spectatorship promoted in Edwardian art writing, and this chapter draws on phenomenological approaches to investigate the role played by imaginative, conceptual and narrative space in ...
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D. S. MacColl’s 1898 review of Charles Conder’s paintings on silk provides an opportunity to analyse the embodied, subjective and multisensory qualities of aesthetic spectatorship promoted in Edwardian art writing, and this chapter draws on phenomenological approaches to investigate the role played by imaginative, conceptual and narrative space in ...
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Ekphrasis and textual consciousness
Word & Image, 1999Abstract When Edwin Markham's ‘The man with the hoe’ first appeared in William Randolph Hearst's progressive San Francisco Examiner in January 1899, it instantly became an emblem of the burgeoning labor movement and this century's most famous ekphrastic poem (figure 1). Headed by a reproduction of Francois Millet's painting and flanked by advice to the
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Interfaces, 1994
La description des jardins est présentée comme la rivalité de deux imaginaires, celui qui naît du langage et celui qui naît de l'image. En s'amalgamant par des ekphraseis, ces deux imaginaires potentialisent leur pouvoir sur le lecteur.
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La description des jardins est présentée comme la rivalité de deux imaginaires, celui qui naît du langage et celui qui naît de l'image. En s'amalgamant par des ekphraseis, ces deux imaginaires potentialisent leur pouvoir sur le lecteur.
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2020
The imperial-age Greek Progymnasmata in which the term ekphrasis first appears show that the rhetoricians of the Greco-Roman world identified “descriptive speech” as an important component of rhetorical narrative and other elements of an oration insofar as it created “vividness” (ἐνάργεια) and “clarity” (ͅσαφήνεια) so as to bring persons, places ...
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The imperial-age Greek Progymnasmata in which the term ekphrasis first appears show that the rhetoricians of the Greco-Roman world identified “descriptive speech” as an important component of rhetorical narrative and other elements of an oration insofar as it created “vividness” (ἐνάργεια) and “clarity” (ͅσαφήνεια) so as to bring persons, places ...
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Semantic Expansions of Ekphrasis
The European Legacy, 2014Claire Barbetti’s book sets out to redefine “ekphrasis” and apply the term to medieval literature, especially to the dream vision and mystical vision genres.
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Ekphrasis, Translation, Critique
Art in Translation, 2010AbstractVenuti argues that translation theory provides a rigorous methodology for studying ekphrastic texts and their relation to their source images. The relation is not instrumental, nor is it a simple transfer of a formal or semantic invariant, but hermeneutic, an interpretation that varies source form and meaning through the application of an ...
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