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The Place of Ekphrasis in the Formation of Architectural Narrative
In the architectural design process, the architect(designer) engages in an internal dialogue with themselves, the object of their design, and other stakeholders. This dialogue, in turn, takes place through language and reveals a narrative.
Serap Faiz Büyükçam, Hande Asar
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Abstract This article presents a mixed-media installation titled Ekphrasis, consisting of close-up videos of a heavily scarred body projected onto an elastic screen. The screen has one string attached to its centre, which in turn is attached to a stepper motor.
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“Ekphrasis of St. Sophia” by Paul the Silentiary and the Earlier Poetic Tradition [PDF]
The purpose of this paper is to trace poetic samples that Paul the Silentiary borrowed for his poems “Ekphrasis of St. Sophia” and “Ekphrasis of the Ambo” and to explore the work of the poet with the texts of his predecessors. From the point of form, the
Tatiana L. Aleksandrova
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This article investigates Tamar Yoseloff’s different engagements with the visual arts in her ekphrastic poems by focusing on her first collection Sweetheart (1998). There are many critical studies about the poetic ekphrastic tradition, but there is
Antony Huen
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Reality/appearance dichotomy can be considered one of Shakespeare’s most celebrated topoi. This paper aims at exploring this conceptual opposition analyzing the statue of Hermione presented in The Winter’s Tale.
Giuseppe Leone
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This article aims to discuss the relationship between word and image in literary works devoted to the so-called ekphrasis. The present research is organised as follows: I first discuss the concept of contemplative aesthetic experience as elucidated in ...
Bartosz Swoboda
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Ekphrasis in Architectural Representation: on Danteum and the Museum of Innocence
A look at contemporary studies on architectural discourse reveals their focus on two topics: inter-disciplinary aspects of architecture and the crisis of representation.
Melisa Pelin Somer, Arzu Erdem
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« I stand on change and shall dissolve in changing » : une représentation baroque de l’héroïsme
In the second scene of The Conspiracy and Tragedy of Charles, Duke of Byron (1608), George Chapman makes use of a false ekphrasis, a carpet which is supposed to tell the « history of Catiline », the Roman conspirator.
Christine Sukic
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CHRONOPOLITICS OF CLASSICAL PHILOLOGY THROUGH THE NON SEQUITUR
ABSTRACT This article argues that classical philology can play a vital role in debates about the importance of philology now and configures a genealogy that may contribute to the quest for alternative philologies. Building on Werner Hamacher's definition of philology as “love of the non sequitur,” I turn to founding texts of Western classical philology
ALEXANDRA LIANERI
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Re‐Presentation and Repurposing: Curating Climate Realism in Ben Lerner's 10:04
ABSTRACT Realism, according to recent criticism, is deemed as too rooted in the present, unable to comprehend the potential effects of climatic disaster and imagine new political and organisational responses to vast ecological changes. Instead, the future‐orientated genre of science fiction is much better suited to answering the questions that climate ...
Matthew Lear
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