Results 51 to 60 of about 14,090 (177)

“EMPIRE OF THE EKPHRASIS”, OR CONVERSATION ABOUT INTERMEDIAL

open access: yesФилологический класс, 2019
The developed analysis of the collection (conference “The theory and history ekphrasis: results and studying prospects” [Poland, Siedlce, 25–on May, 26th 2017]) are in given article.
doaj   +1 more source

Hephaistos’ shield and Achilles’ delight: a study of Iliad XVIII and XIX [PDF]

open access: yes, 2010
Stephen Scully talk at the University of Dallas ...
Scully, Stephen
core  

MUSICAL EKPHRASIS IN THE SERBIAN NOVEL OF THE LATE 20TH – EARLY 21ST CENTURY (THE EXPERIENCE OF A. GATALICA, M. PAVIĆ, G. PETROVIĆ AND G. ĆIRJANIĆ)

open access: yesFilolog, 2022
The multifaceted interrelationships of the various media are now considered to be a particular productive area of comparative strategy. The generalised typology among the types of intermedia at the present stage is considered to be the most fruitful and
Natalia Bilyk
doaj   +1 more source

Audio description for all? The benefits and concerns of extending access provision to sighted people

open access: yesCurator: The Museum Journal, Volume 68, Issue 2, Page 387-403, April 2025.
Abstract Audio description (AD) is an established part of museums' access programs for blind and partially blind (BPB) people. This paper explores the merits and caveats regarding “AD for all”, rolling out the provision for sighted people as well.
Ellen Adams
wiley   +1 more source

Ecphrasis as a Transcultural Marker

open access: yesPolylinguality and Transcultural Practices
The study draws the attention of philologists (literary scholars and linguists) and cultural scientists to the technique of ekphrastic description, which was actualized in literary works of the 20th - 21st centuries, and which, in the context of multi ...
Eleonora F. Shafranskaya   +2 more
doaj   +1 more source

Titian's Bacchus and His Two Loves

open access: yesRenaissance Studies, Volume 39, Issue 2, Page 237-266, April 2025.
Abstract Titian's Bacchus and Ariadne represents not only Bacchus' attraction to Ariadne, as has long been recognized, but also his infatuation with a boy‐satyr, Ampelos, who struts at the centre of the composition. The little satyr's identity, recognized in the seventeenth century, but overlooked by modern scholars, is confirmed by newly revealed ...
Fern Luskin
wiley   +1 more source

Shakespeare, the Ekphrastic Translator

open access: yesLinguaculture, 2015
In The Rape of Lucrece, the Shakespearean heroine admires a wall-painting illustrating a scene from the Trojan War. The two hundred lines of the poem in which Lucrece describes the ancient characters involved in the war represent a remarkable piece of ...
Brînzeu Pia
doaj   +1 more source

Beyond the Imagery: The Encounters of Kierkegaard and Dostoevsky with an Image of the Dead Christ [PDF]

open access: yes, 2014
Through an analysis of Kierkegaard’s and Dostoevsky’s approaches to the theme of the death of Christ – one of the major leitmotifs in the debate of their contemporaries conveyed through theological and philosophical considerations, but also expressed in ...
Kaftanski, Wojciech
core  

PAINTING HISTORY: PICTURE, WITNESS, AND ANCIENT HISTORIOGRAPHY

open access: yesHistory and Theory, Volume 63, Issue 3, Page 403-431, September 2024.
ABSTRACT This article treats an analogy that is used persistently in the history of historiography: the equation of historiography with painting and the identification of the historiographer with the painter. In examining the conceptual stakes of this (auto)identification, the article mobilizes the analogy in order to explore larger issues of ...
LUUK DE BOER
wiley   +1 more source

Features of Ekphrasis in Victor Slavkin’s Play «The Picture»

open access: yesИзвестия Южного федерального университета: Филологические науки, 2020
Taking into account the achievements of modern Intermedia practices, the article analyzes Victor Slavkin’s one-act play «The Picture» (1982) in the context of the interaction of literature and painting.
Dmitry V. Goryunov   +1 more
doaj   +1 more source

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