Results 61 to 70 of about 14,090 (177)

The role of verbal painting in Leonid Leonov’s novel “Russian Forest”

RUDN Journal of Studies in Literature and Journalism, 2023
L.M. Leonov dreamed of becoming an artist and the painter’s talent was embodied in his prose. His landscapes, portraits, portraits against the background of a forest in the tradition of, for example, M.V.
Lina Shi, Irina G. Mineralova
doaj   +1 more source

Anna Letitia Barbauld's Insect Poetics

Journal for Eighteenth-Century Studies, Volume 47, Issue 2, Page 185-203, June 2024.
Abstract This article reads Anna Letitia Barbauld's affective encounter in ‘The Caterpillar’ (1825) in the light of her broader entomological writing for both adults and children. It investigates the recommendations for attention to the small and the particular in her didactic work alongside the narratives of insect subjectivity and insect ...
Rosalind Powell
wiley   +1 more source

The Voices of Silent Film: Forms of Ekphrasis and Iconotext in Melania Mazzucco’s «Silenzio»

Griseldaonline
In Silenzio. Le sette vite di Diana Karenne by Melania Mazzucco, it becomes clear from the outset that photography, silent film and narrative mechanisms related to the visual, play a structuring role in the novel.
Nerida Woodhams Bertozzi
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Lyrikk, medier

Tidskrift för Litteraturvetenskap, 2018
Poetry, Media and the Pain of Others. On Some Ekphrases in Ghayath Almadhoun’s and Marie Silkeberg’s poems The article discusses ekphrases and the mediations of the pain of others in the poetry of Ghayath Almadhoun and Marie Silkeberg.
Hans Kristian S. Rustad
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Allusion and ekphrasis in Winckelmann's Paris description of the Apollo Belvedere [PDF]

, 2007
As Vout (2006) has recently reminded us in this journal, Johann Joachim Winckelmann'sHistory of the art of antiquity (Geschichte der Kunst des Alterthums, 1st ed. 1764) is widely considered to be a foundational text in the history of art.
Harloe, Katherine
core   +1 more source

L’UTILISATION DE L’EKPHRASIS DANS LA CONSTRUCTION DU PORTRAIT DE L’ARTISTE. VINCENT QU’ON ASSASSINE (MARIANNE JAEGLÉ)

Studia Universitatis Babeş-Bolyai. Philologia
The Use of Ekphrasis in the Construction of the Artist’s Figure. Vincent qu’on assassine (Marianne Jaeglé). The following study focuses on the use of the ekphrasis in the portrayal of the main character and in the construction of the narrative structure
Maria-Lorena RACOLȚA
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earthquakes + tsunamis (a poetic diptych) [PDF]

, 2018
What follows is pair of found poems created by the practice of mining the writings of other authors to form a new work, a piece of language art. This process shares similarities with postmodern artistic practices including collage, appropriation ...
Rhoades, Mindi
core   +1 more source

Fragments de la phrase filmique : Peter Handke et son dramaturgie intermediale [PDF]

, 2017
O artigo realiza uma análise do conjunto da primeira fase da obra do escritor Peter Handke. Parte-se de um ensaio teórico elaborado pelo próprio Handke para dele destacar sua concepção de frase fílmica. Ao longo das análises de diversas obras constata-se
Martins, Pablo Gonçalo Pires de Campos
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The new reader's eye-scan and the intermedial processes / Naujojo skaitytojo akis-skaitytuvas ir intermedialūs procesai

Creativity Studies, 2012
Within the field of meaning (re)production, the newly fashioned media theories have been stemming from Marshall McLuhan's and Mikhail Bakhtin‘s “hybrids” and generating what we are presently experiencing as flexible theoretical phenomena, exposed to ...
Aida Elisabeta Osian
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Words and Pictures: Rāmāyaṇa Traditions and the Art of Ekphrasis

Religions, 2020
This article examines two ambitious enactments of the Rama story or Rāmāyaṇa, side by side: the 17th-century painted Mewar Rāmāyaṇa and Vālmīki’s epic poem (ca. 750–500 BCE).
Subhashini Kaligotla
doaj   +1 more source