Results 31 to 40 of about 1,353,894 (202)
Thinking Inside the Box: A New Integrated Approach to Mixed Music Composition and Performance [PDF]
, 2009 The Thinking Inside the Box project (TItB) seeks to address pragmatic concerns inherent to mixed music performance, and proposes ways to better consider the sound of the acoustic reality of the concert space at studio composition time.
Tremblay, Pierre Alexandre +1 more
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A view of computer music from New Zealand: Auckland, Waikato and the Asia/Pacific connection [PDF]
, 2001 Dealing predominantly with ‘art music’ aspects of electroacoustic music practice, this paper looks at cultural, aesthetic, environmental and technical influences on current and emerging practices from the upper half of the North Island of New Zealand. It
Dart, William +2 more
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THE GRANULARITY PARADIGM IN THE ELECTROACOUSTIC MUSIC OF IANNIS XENAKIS
Studia Universitatis Babeş-Bolyai. Musica, 2022 The cultural legacy left to us by composer Iannis Xenakis (1922–2001) is impressive and undoubtedly had a massive impact on some generations of musicians. His artistic ideal stands as proof.
Adrian BORZA
doaj +1 more source
A Temporal Framework for Electroacoustic Music Exploration [PDF]
Organised Sound, 2020 Many aural analytical methods have been produced for electroacoustic music that focus on the identification of salient morphological features of the sounds. Doing so, they usually overlook the importance of time – a central aspect of music – sometimes by considering it as a simple compositional parameter.
openaire +2 more sources
Journal of Science and Technology of the Arts, 2009 We present two examples of technology transfer from analogical to digital systems, in two works of live electroacoustic music by the Portuguese composer Jorge Peixinho (1940-1995), Harmónicos (1967) and Sax-Blue (1982).
António de Sousa Dias
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Editorial: Time in Electroacoustic Music [PDF]
Organised Sound, 2020 This issue addresses the multifaceted topic of time in electroacoustic music. The subject is of course a vast one, as all music is by nature temporal. In Western classical traditions, the various manifestations of time ended up being notated through a plethora of conventions: tempo markings, note durations, bar lines, timbre (expressed through a ...
Mountain, Rosemary, Dahan, Kevin
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Methods of Measuring Musical Tension: Commentary on Teo (2020)
Empirical Musicology Review, 2020 This commentary discusses the motivation, methods, and results of Teo's (2020) article on using Aggregate Voice-Leading (AVL) motion to predict perceived harmonic tension within post-tonal, neoclassical repertoire.
Caitlyn Trevor
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Time-series analysis of Music: Perceptual and Information Dynamics
Empirical Musicology Review, 2011 Dean and Bailes (2010) provide a tutorial on the use of time-series analysis in research on music perception and a study of the influence of acoustic factors on real-time perception of music.
Marcus T. Pearce
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Flaubert: Revue Critique et Génétique, 2019 The article discusses Burger Time ou les Tentations de Saint Antoine, a 12-minute work of electronic music composed by Mauro Lanza. In particular, it proposes a three-layer interpretative methodology, focusing respectively on audible perception, on ...
Andrea Valle
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Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music [PDF]
Re-inventing Harmony in Electroacoustic Music reflects on research regarding structuring pitch-based material in my music written between 1999 and 2010.
Sundin, Paulina E.
core +3 more sources