Results 41 to 50 of about 1,353,894 (202)

Electroacoustic Music Learning Experience Through AI-based Digital Installations: ARTECOM, an ongoing Project dedicated to Teenagers.

open access: yesInteraction Design and Architecture(s)
Advancements in digital technologies based on Artificial Intelligence (AI) have made music a constant presence in teenagers’ lives, providing them with a means of creative expression and personality shaping.
Sara Peretti   +6 more
doaj   +1 more source

Música y tecnomorfismo: surgimiento del concepto y estudios preliminares

open access: yesResonancias, 2015
This work focuses on the concept of technomorphism applied to music. Though it is a relatively new term, it is currently used in diverse fields such as industrial design, psychology, architecture, arts or computer science.
Bryan Holmes
doaj   +1 more source

Large‐Area 2D Metasurface‐Based Triboelectric E‐Skin Arrays: Contact & Proximity Tactile Mapping with Broadband Acoustic Readouts

open access: yesAdvanced Materials, Volume 38, Issue 36, 26 June 2026.
Metasurface‐engineered NC‐TENG arrays integrate tactile pressure mapping, non‐contact gesture sensing, and acoustic signal readouts in one ultrathin module, and outperforms pristine PDMS in terms of electrical output and real‐time spatial mapping for next‐gen wearables.
Injamamul Arief   +12 more
wiley   +1 more source

What is communicating for an electroacoustic music composer?

open access: yes, 2018
What about the representation of communication and the resulting practices by composer of electroacoustic music? He is today considered as a communicator, capable of making his works the objects of an increasingly informative discourse with the listener,
Lethurgez, Florence
core   +1 more source

Entrevista com Harry Crowl

open access: yesRevista Vortex, 2021
the present interview is about the preservation and the compositional process of Convivium (1986), by the composer Harry Crowl. The piece was composed on magnetic tape, which is a factor that makes its preservation difficult. The composer reveals aspects
Harry Crowl, Antonio Spoladore Hurtado
doaj   +1 more source

Melodies of the forest: Nature as an improvisational space for shared creative embodiment

open access: yesPeople and Nature, Volume 8, Issue 4, Page 871-885, April 2026.
Abstract In an era marked by increasing disconnection from nature, innovative approaches to reconnect with the environment are crucial for both ecological and psychological well‐being. This paper explores how natural environments (a deciduous forest of Quebec in the present case study) can serve as an improvisational space for shared creative ...
Antoine Bellemare‐Pepin   +2 more
wiley   +1 more source

New media and the work of Slovak composer Tadeáš Salva

open access: yesMusicologica Brunensia, 2017
Tadeáš Salva was one of the most interesting and prolific Slovak composer of the last century. His inventive approach in connection with audiovisual and electroacoustic media brought to Slovak music extremely original works, first of their kinds.
Michal Ščepán
doaj   +1 more source

Structuring Spectra in Electroacoustic Music

open access: yesOrganised Sound, 2023
This article describes the ways in which the spectra of electroacoustic music compositions can be structured coherently. It begins by describing the straightjacket that composers and listeners are constrained by when using the concept of ‘source bonding’ and how this needs to be discarded for effective listening.
openaire   +1 more source

Moth‐Wing‐Inspired Multifunctional Metamaterials

open access: yesAdvanced Materials, Volume 38, Issue 9, 12 February 2026.
This study develops a moth‐wing‐inspired heterogeneous metamaterial that achieves synergistic broadband sound absorption, mechanical energy dissipation, and thermal insulation within a lightweight architected framework. Combining bioinspired gradient design, genetic‐algorithm optimization, and additive manufacturing, the bionic heterogeneous acoustic ...
Haoran Pei   +12 more
wiley   +1 more source

From AI Enabling Sound Spotting to Zeitgeist Incorporated into EMS: A potential A – Z regarding the future of our field of Electroacoustic Music Studies – a conference provocation [PDF]

open access: yes, 2021
In 2001 I coordinated a conference, along with my former colleague, Andrew Hugill, at De Montfort University called ‘Music without Walls? Music without Instruments?’.
Landy, Leigh
core   +3 more sources

Home - About - Disclaimer - Privacy