Results 61 to 70 of about 1,353,894 (202)

The (in)visibility of deafness: Identity, stigma, quality of life and the potential role of totally implantable cochlear implants

open access: yesHealth Expectations, Volume 27, Issue 3, June 2024.
Abstract Introduction The disclosure of deafness is complex, given the historic and on‐going stigma associated with being deaf. The aim of this study was to explore how identity, stigma, and quality of life may be impacted when using cochlear implants (CIs) and totally implantable cochlear implants (TICIs).
Chi Yhun Lo   +4 more
wiley   +1 more source

Electroacoustic music pre-1960: historicity and ideology [PDF]

open access: yes, 2000
A search for the antecedents of early electroacoustic music. An Illustrative survey of ideologies and methodologies pertinent to the development of electroacoustic music of three influential musicians of the period: Varese, Stockhausen and Schaeffer ...
Dixon, John
core  

Beauchamp's Tenth Horse; Corwin, Reed, and Stoppard on Electroacoustic Music and Radio Sound Effects

open access: yes, 2022
Norman Corwin’s Double Concerto (1941), Henry Reed’s A Hedge, Backwards (1956), and Tom Stoppard’s Artist Descending a Staircase (1972) are a collection of radio plays with striking similarities. Each is a comedy that features a fictional electroacoustic
Cummings, Troy
core   +1 more source

Open Circuits

open access: yesScreenworks, 2007
An "electroacoustic movie" fusing electronic music and moving image art, this collaborative project blurs the lines between reality and dreams, using time-lapse cityscapes and computer animations to question the impact of technology on our world.
Nick Cope, Tim Howle
doaj   +1 more source

Towards a Philology of Electroacoustic Music - Xenakis’s Tape Music as Paradigm. [PDF]

open access: yes, 2022
This research focuses on the electroacoustic tape music of the French-Greek composer Iannis Xenakis as a case study for a philology of electroacoustic music. It is shown that most commercially released versions of his three most well-known pieces contain major faults.
openaire   +2 more sources

DODECAPHONY IN THE ROMANIAN MUSIC OF THE 20th CENTURY: MUSICOLOGICAL NOTES

open access: yesStudia Universitatis Babeş-Bolyai. Musica
Romanian music has a substantial compositional typology. The second half of the 20th century has modern vision and is preoccupied with spectral music, meditation music and original sounds, using Romanian folklore as basic compositional principle and ...
Petruța-Maria COROIU
doaj   +1 more source

Issues of live-ness in fragile.flicker.fragment [PDF]

open access: yes, 2012
This article is concerned with issues of perceived live-ness in fragile.flicker.fragment (2010), an electroacoustic suite in nine movements composed by the author.
Monty Adkins, Adkins, Monty
core   +1 more source

Chagas, Paulo C., Six Reflections on Musical Semiotics, Electroacoustic and Digital Music. Leuven, Leuven University Press, 2014, 300 pp.

open access: yesHistoria Actual On-Line, 2015
Chagas, Paulo C., Six Reflections on Musical Semiotics, Electroacoustic and Digital Music. Leuven, Leuven University Press, 2014, 300 pp.
Antenor Ferreira Correa
doaj  

What Constitutes a Phrase in Sound-Based Music? A Mixed-Methods Investigation of Perception and Acoustics. [PDF]

open access: yesPLoS ONE, 2016
Phrasing facilitates the organization of auditory information and is central to speech and music. Not surprisingly, aspects of changing intensity, rhythm, and pitch are key determinants of musical phrases and their boundaries in instrumental note-based ...
Kirk N Olsen, Roger T Dean, Yvonne Leung
doaj   +1 more source

Technology, culture and location in a recent New Zealand sonic art project [PDF]

open access: yes, 2008
The HIEMPA (Hybrid Instruments from Electroacoustic Manipulation And Models of Pütorino and Aquascape) project combined a team of people with technical, artistic, environmental and cultural expertise toward the artistic outcome of extending the New ...
Whalley, Ian, Ian Whalley
core  

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