Results 71 to 80 of about 1,353,894 (202)

MÚSICA ELETROACÚSTICA: PERMANÊNCIA DAS SENSAÇÕES E SITUAÇÃO DE ESCUTA

Opus, 2005
To think about the permanence of electroacoustic music as a gender of music composition in general checks its own nature and brings up matters relating to its birth and listening condition.
Carole Gubernikoff
doaj  

O indizível que diz! Resenha para o livro Unsayable Music de Paulo Chagas

Opus, 2015
Apresenta-se resenha sobre o livro Unsayable Music: Six Reflections on Musical Semiotics, Electroacoustic and Digital Music de autoria do compositor brasileiro Paulo Cesar Chagas (1953).
Antenor Ferreira Corrêa
doaj  

Chrónos and Kairós in electroacoustic music

, 2021
In this article we’ve analyzed some time concepts, applying them to a selection of electroacoustic pieces of different aesthetics. Some differences are pointed out: between hors-temps and en-temps with specific application to the repertoire; the relationship between χρόνος (Chrónos) and καιρός (Kairós) and their influence on the compositional ...
openaire   +1 more source

Extreme Temporalities in Experimental Electroacoustic Music and Sound Art

Musica Docta
This essay explores the pedagogical value of teaching forms of electroacoustic music and sonic art such as drone composition and site-specific sound installations that exceed human perceptual capacities and that resist attempts at documentation and ...
Blake Stevens
doaj   +1 more source

Cross-Modal Perception of Noise-in-Music: Audiences Generate Spiky Shapes in Response to Auditory Roughness in a Novel Electroacoustic Concert Setting

Frontiers in Psychology, 2018
Noise has become integral to electroacoustic music aesthetics. In this paper, we define noise as sound that is high in auditory roughness, and examine its effect on cross-modal mapping between sound and visual shape in participants.
Kongmeng Liew, Kongmeng Liew, PerMagnus Lindborg, PerMagnus Lindborg, Ruth Rodrigues, Suzy J. Styles   +5 more
doaj   +1 more source

Event and process in the fabric and perception of electroacoustic music : a comparative study of Xenakis's Bohor and Metastaseis

, 2012
In previous work we have shown that acoustic intensity profiles can be strong predictors of continuous-response patterns of perceptions of change and affect expressed by classical and electroacoustic music.
Bailes, Freya (R12191), Dean, Roger T. (R11250)   +1 more
core  

Empowering Musicians: Innovating Virtual Ensemble Concert Music with Networked Audio Technology

Virtual Worlds
This study investigates the application of network audio technology in performing arts and media art collaborations within virtual environments, analyzing its impact through four case studies. Employing a practice-based research methodology through using
Jiayue Cecilia Wu
doaj   +1 more source

The Voice of the Upic: Technology and Virtual Agency

Studia Universitatis Babeş-Bolyai. Musica
I have previously situated the UPIC of Iannis Xenakis, a computer music instrument of legendary intransigence, as set apart from the mainstream of electroacoustic technologies, developing its own “voice” as the utterance of “prophetic” traces: ancient ...
Peter NELSON
doaj   +1 more source

Modelling Perception of Structure and Affect in Music: Spectral Centroid and Wishart's Red Bird

Empirical Musicology Review, 2011
Pearce (2011) provides a positive and interesting response to our article on time series analysis of the influences of acoustic properties on real-time perception of structure and affect in a section of Trevor Wishart’s Red Bird (Dean & Bailes, 2010). We
Roger T. Dean, Freya Bailes
doaj   +1 more source

Listening and analyzing electroacoustic music: sound analysis, gesture and communication of emotions

, 2019
The topic of the last EMS Conference, if electroacoustic music is still today an experimental music, puts in light the concept of ‘experimental’ in the field of electroacoustic music under various points of view.
Sargenti, Simonetta
core   +1 more source