Results 21 to 30 of about 85,696 (152)

Sull’utilità della Storia delle donne per rileggere il protagonismo di Adelaide Ristori

Drammaturgia, 2023
I propose to rethink Adelaide Ristori in a hitherto unconsidered context: a History of the actor that places the category of gender at the centre, not as an add-on but as a problematic function, in order to investigate the specificity – if it exists and ...
Laura Mariani
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Eleonora Duse. Vita attraverso le lettere

, 2021
Nel volume sono pubblicate le lettere che Eleonora Duse scrive all’amica Emma Lodomez Garzes per quasi quarant'anni, dagli anni ottanta dell'Ottocento fino ai primi anni del Novecento.
Marianna Zannoni
core  

FASHION COLLECTION: FROM ELEONORA DUSE TO JULIE PETERS-DESTERACT

UCOarte, 2017
This article analyzes a particular branch of the relationship that combines the art and fashion world with focus on the theme of textile collecting, operated by female characters.
Elisa Risi
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Ipotesi inedite di Claudio Meldolesi intorno alla pre-regia dell'attore-regista

Mantichora, 2020
This essay would be an introduction to some unpublished works coming from the personal archive of Claudio Meldolesi and based on the Italian theatrical direction, a contradictory matter.
Chiara Schepis
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D’Annunzio e l’arte contemporanea europea

Archivio d’Annunzio, 2020
The essay considers three different aspects of Gabriele d’Annunzio’s encounters with artists and trends in contemporary foreign figurative arts in the early 1900s and during his stay in Paris, connected to the novel Il fuoco and the city of Venice ...
Damigella, Anna Maria
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Angelica Cappelletto Duse

Drammaturgia
Angelica Cappelletto is the wife of Alessandro Vincenzo Duse and the mother of Eleonora. She has acted in secondary theatre companies without excelling in her profession, reaching only once the role of prima attrice.
Maria Pia Pagani
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L’«Elettra» (1903) di Hugo von Hofmannsthal tra Sofocle e D’Annunzio

Studia austriaca, 2013
Hofmannsthal’s play «Elektra» aroused controversial reactions when it appeared in 1903: on the one hand, great enthusiasm, on the other hand irritation and hostility towards its undoubted “modernity”.
Elena Raponi
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FROM TRASH TO TREASURE: RILKE AND VENICE REVISITED

German Life and Letters, Volume 78, Issue 2, Page 127-193, April 2025.
ABSTRACT Rilke loved Venice and visited or passed through a dozen times between 1897 and 1920. He wrote extensively about the city in prose and verse between 1898 and 1908, including a cycle of poems in the Neue Gedichte and a polemical ‘Aufzeichnung’ in Malte Laurids Brigge.
Robert Vilain
wiley   +1 more source

Eleonora o della metamorfosi

Archivio d’Annunzio, 2017
Eleonora Duse relives here her loves, from her parents to Martino Cafiero, from Arrigo Boito to Gabriele d’Annunzio. Moreover, thanks to a special liking for letters she reads or recites, she reviews the different times of her career, from the ...
Puppa, Paolo
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“A drama of passion”. In the palimpsest of «The Flame of Life» by d’Annunzio

Griseldaonline, 2020
The paper explores in its manifold implications the interpretation of d'Annunzio's The Flame of Life that Rainer Maria Rilke inserts in an annotation on Eleonora Duse in his Notebooks of Malte Laurids Brigge.
Giorgio Zanetti
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