Results 21 to 30 of about 134 (124)

FASHION COLLECTION: FROM ELEONORA DUSE TO JULIE PETERS-DESTERACT

UCOarte, 2017
This article analyzes a particular branch of the relationship that combines the art and fashion world with focus on the theme of textile collecting, operated by female characters.
Elisa Risi
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Ipotesi inedite di Claudio Meldolesi intorno alla pre-regia dell'attore-regista

Mantichora, 2020
This essay would be an introduction to some unpublished works coming from the personal archive of Claudio Meldolesi and based on the Italian theatrical direction, a contradictory matter.
Chiara Schepis
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D’Annunzio e l’arte contemporanea europea

Archivio d’Annunzio, 2020
The essay considers three different aspects of Gabriele d’Annunzio’s encounters with artists and trends in contemporary foreign figurative arts in the early 1900s and during his stay in Paris, connected to the novel Il fuoco and the city of Venice ...
Damigella, Anna Maria
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Angelica Cappelletto Duse

Drammaturgia
Angelica Cappelletto is the wife of Alessandro Vincenzo Duse and the mother of Eleonora. She has acted in secondary theatre companies without excelling in her profession, reaching only once the role of prima attrice.
Maria Pia Pagani
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L’«Elettra» (1903) di Hugo von Hofmannsthal tra Sofocle e D’Annunzio

Studia austriaca, 2013
Hofmannsthal’s play «Elektra» aroused controversial reactions when it appeared in 1903: on the one hand, great enthusiasm, on the other hand irritation and hostility towards its undoubted “modernity”.
Elena Raponi
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Eleonora o della metamorfosi

Archivio d’Annunzio, 2017
Eleonora Duse relives here her loves, from her parents to Martino Cafiero, from Arrigo Boito to Gabriele d’Annunzio. Moreover, thanks to a special liking for letters she reads or recites, she reviews the different times of her career, from the ...
Puppa, Paolo
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“A drama of passion”. In the palimpsest of «The Flame of Life» by d’Annunzio

Griseldaonline, 2020
The paper explores in its manifold implications the interpretation of d'Annunzio's The Flame of Life that Rainer Maria Rilke inserts in an annotation on Eleonora Duse in his Notebooks of Malte Laurids Brigge.
Giorgio Zanetti
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Luigi Duse

Drammaturgia
Luigi is the founder of the Duse theatrical family, which also includes his granddaughter, Eleonora. He is an important figure in Northern Italy’s popular theatre, especially the Veneto region, in the first half of the 19th century.
Paolo Albonetti
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«Vogliatemi bene»: lettere di Matilde Serao a Gabriele d’Annunzio

Archivio d’Annunzio, 2019
Between ca. 1885 and 1927, Gabriele d’Annunzio and Matilde Serao became friends and contributed to journals in Rome and Naples; they met authors in Europe (especially in France), exchanged opinions about their works and also about their private life ...
Trevisan, Alessandra
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La Natura ‘dolorosa e appassionante’ evocata dall’arte di Eleonora Duse

Archivio d’Annunzio, 2017
Moving from the analysis of Eleonora Duse’s acting technique and its reception during her life, the three feminine leading characters of two plays (Sogno di un mattino di primavera and La città morta) and a novel (Il Fuoco) by Gabriele d’Annunzio ...
Brunetti, Simona
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