Results 51 to 60 of about 2,060 (164)
Archivio d’Annunzio, 2017 In May 2007, the theatre company Tiezzi-Lombardi enacted d’Annunzio’s Sogno di un mattino di primavera, originally written for Eleonora Duse in 1897. Though respectful of his language, the company created a new dream-like version.
Mazzaglia, Rossella
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Mimesis Journal, 2019 Starting at the end of the Nineteenth century, the hysterical body invaded the European medical and artistic scene, giving birth to different kinds of ambivalent performances. The sexed body was the dominant reference in the definition of hysteria, which,
Valentina Colopi
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«Un ritrovo di poeti alla ricerca del nuovo»
Archivio d’Annunzio, 2017 The artistic path of young Gabriellino d’Annunzio, undertaken against his father’s will, has a decisive starting point with the frequentation of the Royal School of Acting in Florence between 1904 and 1905. The director of the School is the Italian
Mancini, Leonardo
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Dan Brown: Morphology of a Bestsellersaurus [PDF]
, 2015 L'articolo indaga da un punto di vista narratologico l'opera di Dan Brown e la teoria della serial ...
Calabrese, Stefano, Rossi, Roberto
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RUDN Journal of Studies in Literature and JournalismThe structure of the heroine’s image and its significance for the problems of Chekhov’s comedy are analyzed. One of the conditions for an adequate understanding of the image of Arkadina is recognized as her projection onto the great Italian actress ...
Alexander V. Kubasov
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East Coast/West Coast: The Long Tradition of Italian Immigrant Performers [PDF]
, 2019 This article discusses the role of the immigrant stage in representing, imagining, exporting and importing, the Italian identity. In particular the essay examines the differences between the Italian Diasporic communities on the east Coast and in ...
Muscio, Giuliana
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Franco Perrelli, Le origini del teatro moderno. Da Jarry a Brecht [PDF]
, 2016 La recensione analizza il volume di Franco Perrelli dedicato alle origini del teatro moderno in Italia e in ...
Quazzolo, Paolo
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, 2022 L’arte di Eleonora Duse sapeva arrivare al pubblico, trasmettendo qualcosa di unico e profondo. I suoi spettacoli avevano il potere di lavorare dentro, a lungo termine. Il vero significato della sua recitazione andava oltre l’impressione folgorante del momento: era qualcosa che affiorava durante la vita e – nei casi migliori – la accompagnava facendo ...
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