An entirely new land? Italy’s post-war culture and its fascist past [PDF]
, 2016 Scholarship has for decades emphasised the significant continuities in Italian culture and society after Fascism, calling into question the rhetoric of post-war renewal. This essay proposes a reassessment of that rhetoric through the analysis of five key
Leavitt IV, Charles L.
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Bourgeois, antibourgeois, bourgeois antibourgeois dans Il garofano rosso d’Elio Vittorini
Italies, 2001 Il Garofano rosso est l’histoire d’un jeune Sicilien, Alessio, qui fait le choix du fascisme par haine de la bourgeoisie, une bourgeoisie qui ne se définit pas par sa fonction économique, mais par son conformisme, son manque d’imagination, de créativité,
Pierre Laroche
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Impegno, national and transnational identities in Il Politecnico and Sud (1945–1947) [PDF]
, 2016 Long neglected by critical literature and historians, the Neapolitan journal Sud (1945–1947) shared similar aims and objectives with the more famous Il Politecnico, although the two journals were inserted into and connected with lively yet different ...
Milani, Mila
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From Risorgimento to Il Politecnico : impegno and intellectual networks in the Einaudi publishing house, 1945 [PDF]
, 2016 The article unveils the (dis)continuities between two post-WWII journals, Risorgimento and Il Politecnico, both published by Einaudi in 1945. By reassessing the publishing history of Risorgimento from a genealogical perspective, the article aims to chart
Milani, Mila
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William Faulkner, Lena Grove e Elio Vittorini. Dal personaggio al traduttore
ACME, 2016 Il confronto tra il capolavoro di William Faulkner Light in August, pubblicato nel 1932, e la traduzione italiana offerta da Elio Vittorini nel 1939, Luce d’Agosto, permette di evidenziare alcune discrepanze tra le due versioni, dovute a una difficoltà o
Myriam Colombo
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The rise and fall of Benedetto Croce: intellectual positionings in the Italian cultural field 1944-1947 [PDF]
, 2016 This article evaluates the discourse developed around Benedetto Croce in the Italian cultural periodical press between 1944 and 1947 and it discusses the forms of adversarial discourse and the agents involved in the anti-Croce polemics that unfolded in ...
La Penna, Daniela
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Historia contemporánea, 2022 A través del examen de la polémica entre Elio Vittorini, director de Il Politecnico, y algunos miembros prominentes del aparato cultural del Partido Comunista Italiano, se exponen aquí los términos en los que se substanció el debate entre política y ...
Esteban Anchústegui Igartua +1 more
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An International ‘Non-revue’: Cultural Conflict and the Failure of Gulliver (1964)
Journal of European Periodical Studies, 2018 In the early Sixties, the international literary journal Gulliver involved intellectuals of different nationalities: the French Dionys Mascolo and Maurice Blanchot; the German Hans Magnus Enzensberger; the Italians Elio Vittorini, Francesco Leonetti and ...
Silvia Cavalli
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O Diário Cinematográfico de Cesare Zavattini: Memórias da guerra e dever de não esquecer
Aletria: Revista de Estudos de Literatura, 2013 Este estudo tem como objeto alguns textos que Cesare Zavattini publica em periódicos italianos durante a Segunda Guerra Mundial. Relacionando a voz deste “escritor de cinema” às de Italo Calvino, Primo Levi e Elio Vittorini, sublinhamos a sua importância
Paula Regina Siega
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Retratos de escritores nas cartas de Italo Calvino: Vittorini, Pavese, Morante
Anuário de Literatura, 2015 O objetivo deste artigo é capturar e analisar alguns “retratos” dos escritores italianos Elio Vittorini (1908-1966), Cesare Pavese (1908-1950) e Elsa Morante (1912-1985), revelados no epistolário de Italo Calvino (1923-1985), constituído dos livros ...
Andréia Guerini, Tânia Mara Moysés
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