The modernist short story in Italy: the case of the 'Edizioni di Solaria' [PDF]
This article investigates the role played by the modernist periodical Solaria (1926–34) as the Italian short story was being modernized. By offering a descriptive survey of the rarely studied corpus of fifteen short narrative volumes printed by the ...
Duyck, Mathijs
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«It cannot be considered a finished work». "Le donne di Messina" di Elio Vittorini
Le carte manoscritte relative a Le donne di Messina di Elio Vittorini, conservate presso il Centro Apice dell’Università degli Studi di Milano, permettono di ricostruire la complessa vicenda editoriale del romanzo, le cui sorti sono strettamente connesse
Maria Rita Mastropaolo
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Bourgeois, antibourgeois, bourgeois antibourgeois dans Il garofano rosso d’Elio Vittorini
Il Garofano rosso est l’histoire d’un jeune Sicilien, Alessio, qui fait le choix du fascisme par haine de la bourgeoisie, une bourgeoisie qui ne se définit pas par sa fonction économique, mais par son conformisme, son manque d’imagination, de créativité,
Pierre Laroche
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Autobiografia wojownika kultury: Elio Vittorini i jego Diario in pubblico
In 1957, while the first tenth anniversary of the proclamation of the Italian Republic was being celebrated, the most eclectic writer and intellectual on the Italian cultural scene of the XIX century, once again stirred by the “demon of anticipation ...
ANGELO RELLA
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Impegno, national and transnational identities in Il Politecnico and Sud (1945–1947) [PDF]
Long neglected by critical literature and historians, the Neapolitan journal Sud (1945–1947) shared similar aims and objectives with the more famous Il Politecnico, although the two journals were inserted into and connected with lively yet different ...
Milani, Mila
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From “Light in August” to “Luce d'agosto”
Luce d'agosto, Elio Vittorini's translation of Light in August, published in 1939 and still the only translation available to date, has had a profound and long lasting influence on the reception of Faulkner's work in Italy.
Mario Materassi
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On Fenoglio’s “La paga del sabato”
In this article I explore three aspects of Beppe Fenoglio’s La paga del sabato that are crucial for the understanding of the author’s immediate post-war treatment of the Resistenza.
Daniele Biffanti
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An entirely new land? Italy’s post-war culture and its fascist past [PDF]
Scholarship has for decades emphasised the significant continuities in Italian culture and society after Fascism, calling into question the rhetoric of post-war renewal. This essay proposes a reassessment of that rhetoric through the analysis of five key
Leavitt IV, Charles L.
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From Risorgimento to Il Politecnico : impegno and intellectual networks in the Einaudi publishing house, 1945 [PDF]
The article unveils the (dis)continuities between two post-WWII journals, Risorgimento and Il Politecnico, both published by Einaudi in 1945. By reassessing the publishing history of Risorgimento from a genealogical perspective, the article aims to chart
Milani, Mila
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The rise and fall of Benedetto Croce: intellectual positionings in the Italian cultural field 1944-1947 [PDF]
This article evaluates the discourse developed around Benedetto Croce in the Italian cultural periodical press between 1944 and 1947 and it discusses the forms of adversarial discourse and the agents involved in the anti-Croce polemics that unfolded in ...
La Penna, Daniela
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