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, 2015 Con esta investigación se trata de buscar la relación entre arte y moda, entendida como un arte. De esta forma, estudiamos el caso de la diseñadora italiana Elsa Schiaparelli y el movimiento vanguardista surrealista. Ambos coinciden en una época llena de cambios y transformaciones. Esto será un aspecto clave en su relación, de la cual ambos se nutrirán
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Fashion in interwar France: The urban vision of Elsa Schiaparelli
French Cultural Studies, 2017Elsa Schiaparelli’s avant-garde designs and her collaborative efforts with surrealist artists are the subject of most analyses of her work, which focus on themes of glamour, gender and the construction of a modern feminine beauty. Yet a number of lesser-known creations from the 1920s and 1930s, equally experimental in nature, reveal other progressive ...
Marylaura Papalas
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Masks, Mirrors and Mannequins: Elsa Schiaparelli and the Decentered Subject
Fashion Theory, 1999(1999). Masks, Mirrors and Mannequins: Elsa Schiaparelli and the Decentered Subject. Fashion Theory: Vol. 3, No. 1, pp. 3-31.
Caroline Evans
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Performative fashion discourse: Vogue Paris and Elsa Schiaparelli
International Journal of Fashion Studies, 2016Abstract What happens when fashion design is converted into language? Roland Barthes’s thought-provoking question, from his 1967 influential book on the significance of language in fashion magazines, entitled Système de la Mode, frames this inquiry.
Marylaura Papalas
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Elsa Schiaparelli, The New Woman, and Surrealist Politics
Interdisciplinary Literary Studies, 2015Abstract Jacques Rancière, in Dissensus: On Politics and Aesthetics, argues that in making the commodity form into artwork, Surrealism, and modernism in general, transformed every object into a potential piece of art. By fusing popular culture to high art, Surrealism destroyed the boundary that held back the aesthetic from the everyday ...
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, 2009 The essay investigates the relationships between Italian fashion creators Elsa Schiaparelli and the fascist regime. Though her relations with the regime had deteriorated, Italian dressmakers remained faithful purchasers from her Paris maison, including Gandini of Milan and Battilocchi of Rome.
VACCARI, ALESSANDRA
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Shocking! The Art and Fashion of Elsa Schiaparelli
Woman's Art Journal, 2004Robin Rice
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CREATIVITY AS A WAY TO OVERCOME PSYCHOLOGICAL TRAUMA: THE FATE OF ELSA SCHIAPARELLI
Medicine and ArtUsing the example of the biography of Elsa Schiaparelli, one of the most prominent figures in the fashion world, the role of creativity, which became the object of this study, in the life of a neurotic personality is shown. It is proved that creativity acts as a protective mechanism against psychological trauma and internal conflicts, helping to ...
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Elsa Schiaparelli and the Epistemology of Glamorous Silence
TOPIA Canadian Journal of Cultural Studies, 2011Ilya Parkins
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