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Biosystems theory and empirical aesthetics

Poetics, 1986
Abstract The project of an ‘empirical aesthetics’ in the sense of a rigorous ‘science of art’ is subjected to critical analysis. The underlying traditional naive idea of universalist, ‘objective’, knowledge is exposed as a paradoxical myth by a brief recapitulation of both the self-disenchantment of physics and mathematics and the empirical analysis ...
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Appreciation Modes in Empirical Aesthetics

2021
Abstract There are three main modes of appreciation of aesthetic objects. The first is the appreciation of aesthetic pleasure, most often beauty. A simple account of the experience of beauty is the fluency theory of aesthetic pleasure. A more complex account assumes that there are two levels of aesthetic pleasure, a shallow one based on ...
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Empirical Music Aesthetics

2013
The toolbox for empirically exploring the ways that artistic endeavors convey and activate meaning on the part of performers and audiences continues to expand. Current work employing methods at the intersection of performance studies, philosophy, motion capture and neuroscience to better understand musical performance and reception is inspired by ...
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The Oxford Handbook of Empirical Aesthetics

2019
Abstract Humans have engaged in artistic and aesthetic activities since the appearance of our species. Our ancestors have decorated their bodies, tools, and utensils for over 100,000 years. The expression of meaning using color, line, sound, rhythm, or movement, among other means, constitutes a fundamental aspect of our species ...
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A Farewell to Art: Aesthetics as a Topic in Psychology and Neuroscience

Perspectives on Psychological Science, 2020
Martin Skov, Marcos Nadal
exaly  

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