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Empirical Aesthetics of Poetry

2022
Poetry enjoys greater liberties (“poetic license”) than all other uses of language to depart from a variety of grammatical and discourse-semantic constraints that typically shape verbal messages. At the same time, poetry frequently conforms to additional formal constraints on the selection and combination of linguistic elements, e.g., meter, rhyme, and
Menninghaus, W. ; https://orcid.org/0000-0003-3585-8544   +1 more
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Biosystems theory and empirical aesthetics

Poetics, 1986
Abstract The project of an ‘empirical aesthetics’ in the sense of a rigorous ‘science of art’ is subjected to critical analysis. The underlying traditional naive idea of universalist, ‘objective’, knowledge is exposed as a paradoxical myth by a brief recapitulation of both the self-disenchantment of physics and mathematics and the empirical analysis ...
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Studying Empirical Aesthetics in Museum Contexts

2020
AbstractConducting aesthetic research in museum contexts is examined in terms of the types of questions that can be investigated, research designs, participants, procedures, and interpretation of results. The nature of research in museums is also contrasted with research done in psychological laboratories.
Jeffrey K. Smith, Lisa F. Smith
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On the Empirical Aesthetics of Plating

2021
AbstractPlating food beautifully has traditionally been seen as more of an art than a science. However, in recent years, a growing body of research in the field of empirical aesthetics has started to demonstrate that the art of beautiful plating can, in fact, be studied scientifically.
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Empirical Music Aesthetics

2013
The toolbox for empirically exploring the ways that artistic endeavors convey and activate meaning on the part of performers and audiences continues to expand. Current work employing methods at the intersection of performance studies, philosophy, motion capture and neuroscience to better understand musical performance and reception is inspired by ...
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Daniel Berlyne's contributions to empirical aesthetics

Motivation and Emotion, 1980
This article reviews the four types of evidence relevant to arousal as a determinant of aesthetic preference: (a) preference as related to arousal-producing attributes of objects, (b) preference changes through time as a function of such attributes, (c) preference as a function of the arousal level of the observer, and (d) perception of art objects as ...
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Domain specificity and mental chronometry in empirical aesthetics

British Journal of Psychology, 2014
This article is a commentary on ‘Ten years of a model of aesthetic appreciation and aesthetic judgments: The aesthetic episode – developments and challenges in empirical aesthetics’ ( L eder & N adal, 2014, this issue).
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The Oxford Handbook of Empirical Aesthetics

2019
Abstract Humans have engaged in artistic and aesthetic activities since the appearance of our species. Our ancestors have decorated their bodies, tools, and utensils for over 100,000 years. The expression of meaning using color, line, sound, rhythm, or movement, among other means, constitutes a fundamental aspect of our species ...
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A Farewell to Art: Aesthetics as a Topic in Psychology and Neuroscience

Perspectives on Psychological Science, 2020
Martin Skov, Marcos Nadal
exaly  

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