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Enactive sketches for designing enactive interactions
Proceedings of the Latin American Conference on Human Computer Interaction, 2015The role of sketching for designing enactive interactions is reviewed, a conceptual framework is described and an exploratory case study is analyzed and discussed. The framework is organized as a map with two dimensions: the first one expresses the interactivity embodied in the different representations used by designers.
Andrés Rodríguez 0002 +2 more
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Enacting Enaction-Enaction Enacted: Experiments With and Through Enactive Ontologies
2023Over the last three decades the enactive approach to life, mind and nature has exerted an impressive amount of influence across a broad range of disciplines and varied research topics. At the core of the enactive approach is a thorough rejection of a number of modernist ideals and tenets; from anthropocentrism, determinism and reductionism to a host of
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2023
Beginning with a storyboard imagining a dystopic future in Rome in times of drought, a reflection is developed on how, through enacting monsters, sociomaterial practices can be changed. To do this we connect the notion of the real-life thinking model ( Erik Rietveld-RAAAF) with that of the gray zone (Bishop) and define a transition from the dystopian ...
Ianniello Antonio, Habets David
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Beginning with a storyboard imagining a dystopic future in Rome in times of drought, a reflection is developed on how, through enacting monsters, sociomaterial practices can be changed. To do this we connect the notion of the real-life thinking model ( Erik Rietveld-RAAAF) with that of the gray zone (Bishop) and define a transition from the dystopian ...
Ianniello Antonio, Habets David
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AI & SOCIETY, 2015
The appropriation of digital artefacts involves their use, which has changed, evolved or developed beyond their original design. Thus, to understand appropriation, we must understand use. We define use as the active, purposive exploitation of the affordances offered by the technology and from this perspective; appropriation emerges as a natural ...
Tom Flint, Phil Turner
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The appropriation of digital artefacts involves their use, which has changed, evolved or developed beyond their original design. Thus, to understand appropriation, we must understand use. We define use as the active, purposive exploitation of the affordances offered by the technology and from this perspective; appropriation emerges as a natural ...
Tom Flint, Phil Turner
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Enactive media – generalising from enactive cinema
Digital Creativity, 2010This paper outlines general theoretical implications of enactive cinema for the broader framing of enactive media. The concept of enactive cinema has constituted a proposal for a novel kind of emotion-driven cinema genre, which emphasises unconscious interaction between the cinema spectator and the cinema. Instead of the spectator directly manipulating
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Journal of Analytical Psychology, 2001
Advances in the understanding and articulation of enactments allow a reassessment of analytical psychology's method of amplification. Subjective and objective aspects of the amplificatory process, evolving notions of its role in analysis together with the use of countertransference phenomena provide the frame for reexamination of this method.
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Advances in the understanding and articulation of enactments allow a reassessment of analytical psychology's method of amplification. Subjective and objective aspects of the amplificatory process, evolving notions of its role in analysis together with the use of countertransference phenomena provide the frame for reexamination of this method.
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On Countertransference Enactments
Journal of the American Psychoanalytic Association, 1986This communication focuses on the relation of countertransference to psychoanalytic technique, calling attention not to the more obvious forms of countertransference that have been commented on by previous writers on the subject, but to its subtler ones.
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