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The ethics of offering a dignified death
Research and Humanities in Medical EducationArati Bhatia
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Empirical Studies of the Arts, 2009
Martindale (2009) suggests that all of art is coming, or has already come, to anend. Following Hegel’s lead, he suggests that all new art must communicatewhilebeing recognizably new. Thesetwo criteria—communicationand novelty—cannot provoke any Hegelian synthesis because eventually one of these criteriamust be consistently violated. As arts evolve, the
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Martindale (2009) suggests that all of art is coming, or has already come, to anend. Following Hegel’s lead, he suggests that all new art must communicatewhilebeing recognizably new. Thesetwo criteria—communicationand novelty—cannot provoke any Hegelian synthesis because eventually one of these criteriamust be consistently violated. As arts evolve, the
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Archives of American Art Journal, 1974
The following year FROM LINE TO CONSTELLATION, which was to become the basic definition of a concrete poetry aesthetic, was printed. Gomringer had come to concrete poetry through his association with concrete art, which seemed to offer specific solutions to problems of line, surface, and color. Until 1950 he had been writing sonnets.
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The following year FROM LINE TO CONSTELLATION, which was to become the basic definition of a concrete poetry aesthetic, was printed. Gomringer had come to concrete poetry through his association with concrete art, which seemed to offer specific solutions to problems of line, surface, and color. Until 1950 he had been writing sonnets.
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History and Theory, 1998
This article focuses on the arguments that Arthur Danto has advanced for alleging that the developmental history of art is over. The author is skeptical of Danto's conclusion and maintains that Danto has failed to demonstrate that art history is necessarily closed.
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This article focuses on the arguments that Arthur Danto has advanced for alleging that the developmental history of art is over. The author is skeptical of Danto's conclusion and maintains that Danto has failed to demonstrate that art history is necessarily closed.
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