Results 241 to 250 of about 291,208 (291)
The Autopoiesis of the Artworld after the End of Art
Cultural Sociology, 2010 This article critically adapts and applies the views of Niklas Luhmann on the social system of art. Luhmann’s systems theory does not have an adequate account of ‘the artworld’.
Willem Schinkel
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Archives of American Art Journal, 1974
The following year FROM LINE TO CONSTELLATION, which was to become the basic definition of a concrete poetry aesthetic, was printed. Gomringer had come to concrete poetry through his association with concrete art, which seemed to offer specific solutions to problems of line, surface, and color. Until 1950 he had been writing sonnets.
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The following year FROM LINE TO CONSTELLATION, which was to become the basic definition of a concrete poetry aesthetic, was printed. Gomringer had come to concrete poetry through his association with concrete art, which seemed to offer specific solutions to problems of line, surface, and color. Until 1950 he had been writing sonnets.
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Empirical Studies of the Arts, 2009
Martindale (2009) suggests that all of art is coming, or has already come, to anend. Following Hegel’s lead, he suggests that all new art must communicatewhilebeing recognizably new. Thesetwo criteria—communicationand novelty—cannot provoke any Hegelian synthesis because eventually one of these criteriamust be consistently violated. As arts evolve, the
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Martindale (2009) suggests that all of art is coming, or has already come, to anend. Following Hegel’s lead, he suggests that all new art must communicatewhilebeing recognizably new. Thesetwo criteria—communicationand novelty—cannot provoke any Hegelian synthesis because eventually one of these criteriamust be consistently violated. As arts evolve, the
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History and Theory, 1998
This article focuses on the arguments that Arthur Danto has advanced for alleging that the developmental history of art is over. The author is skeptical of Danto's conclusion and maintains that Danto has failed to demonstrate that art history is necessarily closed.
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This article focuses on the arguments that Arthur Danto has advanced for alleging that the developmental history of art is over. The author is skeptical of Danto's conclusion and maintains that Danto has failed to demonstrate that art history is necessarily closed.
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Wordsworth and the End of the Arts
Arts Education Policy Review, 2003Abstract Editor's note: This essay is the seventh in an occasional series on past treatments of major issues in arts education policy from antiquity through the twentieth century. Future essays will appear as occasion arises.
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‘The End of Art’ and ‘The Art of the End’: Notes on Arthur Danto’s The Art of 9/11 Exhibition
The Journal of Art Theory & Practice, 2022openaire +1 more source