Results 31 to 40 of about 12,022 (265)

EVOLUTION OF THE MUSICAL EVENTS IN THE COURSE DISCIPLINE “HISTORY OF UKRAINIAN CULTURE”

Актуальні питання суспільних наук та історії медицини, 2020
The article proposes a method of considering the evolution of the musical phenomenon in the course of the discipline “History of Ukrainian culture”. The aim of the article is to illustrate the evolution of Ukrainian musical folklore on the example of
Andrii FURDYCHKO
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Unelõiv ja Saarepiiga: Jüri Talveti kirjanduslik "Kalevipoeg" / The Rhisomes of „Kalevipoeg“: Literary Interpretation of the Estonian National Epic by Jüri Talvet

Methis: Studia Humaniora Estonica, 2016
Teesid: Artikkel keskendub eepose „Kalevipoeg“ käsitlusele võrdleva kirjandusteaduse vaatepunktist. „Kalevipoja“ uurimine ilukirjandusliku teosena muutis paradigmaatiliselt rahvuseepose senist tõlgendust ja seda tänu Jüri Talveti käsitlustele ...
Marin Laak
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الأقزام في القصص الشعبي الإسكندنافي (فى أواخر العصور الوسطى) [PDF]

مجلة کلية الآداب. جامعة أسوان, 2022
أدت الأقزام دورًا مهمًا في تحديد مسار الأحداث في الأساطير الإسكندنافية Scandinavia ( )التى هى أساس معتقدات القبائل الجرمانية الشمالية ، فقد عُرفت الأقزام ببراعتهم في السحر وأعمال الحدادة وقد كان الأقزام غالبًا يعيشون في المناطق النائية البعيدة عن البشر ،
سارة علي عبدالمجيد
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Odiseo, Gengi, el Cid y Gorba Dikko: soberbia épica, violencia verbal y frontera acuática

Atalaya, 2016
Analysis of episodes of verbal violence that exists in four literary works of heroic character, dating from different periods and places: the Greek Odyssey, the Japanese Heikemonogatari, the Hispanic ballad of The Moorish king who challenges Valencia ...
José Manuel Pedrosa
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The intangible legacy of the Indonesian Bajo

Wacana: Journal of the Humanities of Indonesia, 2016
The Sama-Bajau, or Bajo diaspora, extends from the southern Philippines and Sabah (Malaysian Borneo) to the eastern part of Indonesia. The Indonesian Bajo, now scattered along the coasts of Sulawesi (Celebes) and East Kalimantan, the Eastern Lesser Sunda
Chandra Nuraini
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பாரதிதாசனின் காவியங்களில் மெய்ப்பாடுகள் / Aesthetics of Emotional Expressions (Meyppaadu) in the Epics of Bharathidasan [PDF]

Chenkaantal
Meepadu is the expression of human emotions. It expresses the state of mind that a person reaches in various situations at many levels. Tolkappiyar has divided this into eight meepadu namely, joy, crying, relief, sorrow, fear, pride, anger and anger ...
முனைவர் ச. திவ்யபாரதி / Dr. C. Divyabharathi
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Türk Destanlarında “Ant İçme” Ritüeli Üzerine Bazı Tespitler [PDF]

Folklor/Edebiyat, 2019
In this article, a research has been conducted on “take an oath” ceremonies in Turkic epics. Therefore, firstly, the meaning of the oath is emphasized and this term is defined. Then, brief information was given about the historical process of the oath
Abdulselam Arvas
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Chronobiology of Cancer: How Aging Fuels Oncogenesis at the Molecular Level

Aging and Cancer, EarlyView.
This graphical abstract illustrates the key biological pathways linking aging with cancer development and progression. In the upper left, cumulative exposure to ultraviolet radiation, toxins, and reactive oxygen species (ROS) causes DNA damage and genomic instability, whereas age‐related decline in repair mechanisms, such as ATM/ATR, BER, and NER ...
Anu Singh, Aroonima Misra, Sufian Zaheer
wiley   +1 more source

Research on the Epic of Edigey in Türkiye

Золотоордынское обозрение
Objective: The aim of the research is to reveal the history of studies in Turkey on the Edigey Epic, one of the most important epics in the Turkish world, to introduce the published copies of the Edigey Epic, and to determine from which perspectives the ...
Kemaloğlu İ.
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Traditional Beliefs about Weretigers among the Garos of Meghalaya (India)

eTropic: electronic journal of studies in the tropics, 2017
The Garos, a tribal group who live in India (western highlands of Meghalaya and the southern foothills of Assam) and northern Bangladesh, are noted for their diverse beliefs on weretigers – that is, human beings with the ability of turning themselves, in
Francesco Brighenti
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