Results 11 to 20 of about 193 (120)
This article proposes an exercise for teaching students to reconsider how they think, speak, and write about the life course. University students compose narratives using French Nobel Prize-winning writer Annie Ernaux’s distinctive prose style as a ...
Sophia Millman
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Annie Ernaux à l’international
Annie Ernaux’s works have often been called universal, in spite of depicting personal experiences steeped in the precise historical and geographical context that is post-war France. The fact that her work is widely disseminated internationally, in French
Élise Hugueny-Léger
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This chapter examines the place of the diary in the context of considerable growth in all forms of life-writing since the 1970s, through a reading of diaries published by Annie Ernaux. The diary has shared in the broader success of life-writing, but also remained marginal.
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ERNAUX OU LA TRAVERSÉE DES GENRES : ENTRE PASSION SIMPLE ET SE PERDRE
Passion simple et Se perdre : l’oeuvre d’Annie Ernaux semble vouloir se penser en paire. Dans le cas de ces deux dernières paires, la filiation des textes se fait encore plus serrée, au point presque de fusionner en un seul texte publié deux fois, d ...
Joelle Papillon
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Wroblewski, Ania. La vie des autres : Sophie Calle et Annie Ernaux, artistes hors-la-loi
Compte rendu Wroblewski, Ania.
Joëlle Papillon
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L’écriture plate n’existe pas.
Coined by Annie Ernaux, the concept of “flat writing” has gradually become established among journalistic and academic criticism. However, comparing this notion to the reality of Ernaux’ work shows that even though it can be a useful tool of analysis, it
Clara Cini, Laélia Véron
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Entre voix et voie : Annie Ernaux lectrice
Mémoire de fille (2016) est une œuvre entièrement traversée et même structurellement sous-tendue par la présence des livres, éléments clés dans l’enquête menée par Annie Ernaux au moment où elle se fait métaphoriquement lectrice d’elle-même.
Pierre-Louis Fort
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Dead time, hard time, and narrative redemption: Delimiting the life proper
Abstract Is every detail of your life a candidate for the meaningful, valuable, or worthwhile? If not, which do you exclude? Thaddeus Metz nominates “dead time”: the nail‐clipping, line‐waiting, traffic‐jam enduring, generally commonplace moments of our life. Dead time, while prevalent, is not remarkable. Metz recommends that we set at least some of it
Kathy Behrendt
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Abstract The article discusses the complex relationship between publishers and literary prizes in terms of production, marketing, and the value of literary prizes. The main argument is that publishers are instrumental not only in the creation process of literary fiction receiving prizes but also in using the values adhered to awards and nominations for
Ann Steiner
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Grensekrysninger, symbolsk makt/vold og litterært uttrykk hos Annie Ernaux og Nina Bouraoui
De to franskspråklige forfatterne Annie Ernaux (1940-) og Nina Bouraoui (1967-) knyttes begge til en økende historisk-sosial tendens i romangenren observert siden 1980-tallet.
Heidi Isaksen
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