Results 31 to 40 of about 5,336 (190)

„I must explain it". Elements for a sociological approach of Annie Ernaux's works" [PDF]

open access: yes, 2004
Annie Ernaux's works, treated by critics as autobiographical, are an original undertaking at writing, which consists in the incessant search of balance between that which in man's life appears as obvious and clear and that which remains mysterious ...
Lis, Jerzy
core   +2 more sources

L’art d’enchaîner : La fluidité dans le récit contemporain [PDF]

open access: yes, 2006
Cet article examine de façon exploratoire les modes d’enchaînement dans quelques récits contemporains, afin de repérer un « geste » distinctif parmi la diversité des styles et des pratiques narratives actuelles.
Huglo, Marie-Pascale
core   +1 more source

Le silence des pères au principe du « récit de filiation » [PDF]

open access: yes, 2009
Cet article porte sur l’un des traits majeurs des récits de filiation, mis en évidence par chacun d’eux ou presque. Il s’agit du défaut de transmission dont les écrivains présents, ou leurs narrateurs, s’éprouvent comme les victimes.
Viart, Dominique
core   +1 more source

L’écriture plate n’existe pas.

open access: yesContextes
Coined by Annie Ernaux, the concept of “flat writing” has gradually become established among journalistic and academic criticism. However, comparing this notion to the reality of Ernaux’ work shows that even though it can be a useful tool of analysis, it
Clara Cini, Laélia Véron
doaj   +1 more source

Dead time, hard time, and narrative redemption: Delimiting the life proper

open access: yesThe Southern Journal of Philosophy, EarlyView.
Abstract Is every detail of your life a candidate for the meaningful, valuable, or worthwhile? If not, which do you exclude? Thaddeus Metz nominates “dead time”: the nail‐clipping, line‐waiting, traffic‐jam enduring, generally commonplace moments of our life. Dead time, while prevalent, is not remarkable. Metz recommends that we set at least some of it
Kathy Behrendt
wiley   +1 more source

Wroblewski, Ania. La vie des autres : Sophie Calle et Annie Ernaux, artistes hors-la-loi

open access: yesVoix Plurielles, 2018
Compte rendu Wroblewski, Ania.
Joëlle Papillon
doaj   +1 more source

The impeccable taste of a publisher: Literary prizes and cultural value from a publishing perspective

open access: yesOrbis Litterarum, Volume 80, Issue 4, Page 423-436, August 2025.
Abstract The article discusses the complex relationship between publishers and literary prizes in terms of production, marketing, and the value of literary prizes. The main argument is that publishers are instrumental not only in the creation process of literary fiction receiving prizes but also in using the values adhered to awards and nominations for
Ann Steiner
wiley   +1 more source

Annie Ernaux dans l’imaginaire médiatique français

open access: yesÇédille
In the last twenty years, there have been an increasing number of studies that broaden the scope of analysis from the literary text to the auctorial discourse, and from text to peritext. Thus, conceptual tools were created, such as the « author’s image »,
Laurence Chagrin
semanticscholar   +1 more source

Grensekrysninger, symbolsk makt/vold og litterært uttrykk hos Annie Ernaux og Nina Bouraoui

open access: yesNordlit: Tidsskrift i litteratur og kultur, 2005
De to franskspråklige forfatterne Annie Ernaux (1940-) og Nina Bouraoui (1967-) knyttes begge til en økende historisk-sosial tendens i romangenren observert siden 1980-tallet.
Heidi Isaksen
doaj   +1 more source

Memorie di famiglia. Un genere ibrido del romanzo contemporaneo [PDF]

open access: yes, 2017
The paper aims to define a hybrid genre of twentieth and twenty-first century novel that lie on the border between the family saga novel and the various forms of writing of the Self. This is the ‘family memoir’, or ‘autobiographical family novel’, i.e. a
Abignente, Elisabetta
core   +3 more sources

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