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How an Ethnomusicologist Looks at MusicSome of the next articles are maybe not open access.
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Ethnomusicologists and Music Theory
2023Abstract Theorizing of the world’s musicians considers interactions of humans with instruments, spirits, fellow humans, and other living or deceased beings. Hence ethnomusicologists cannot accept a conception of music theory centered on studies of musical structure that exclude musical action.
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An Ethnomusicologist’s Last Lecture
2023An Ethnomusicologist’s Last Lecture: Music and Globalism, Philosophy and Religion explores the frustration of many scholars and artists with the content and directions of studies on music, which continue to be mostly based on Western thought, methods, theories, and even the modes of communicating ideas, and mostly through written, published works ...
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The Ethnomusicologist and Black Music
Black Music Research Journal, 1990I have not encountered an academic field or discipline whose members spend as much time worrying about defining themselves as ethnomusicology. Definitions abound and they can be discussed historically, something done by the late Alan P. Merriam in one of his last articles (Merriam 1977). The general public tends to think of ethnomusicology as the study
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ETHNOMUSICOLOGISTS AND FOLKLORISTS TO MEET IN NOVEMBER
Anthropology News, 1976exaly +2 more sources
The Xenophilia of a Japanese Ethnomusicologist
Common Knowledge, 2021This autobiographical, sociological, and musicological essay, written for a symposium on xenophilia, concerns how the love of a foreign culture can lead to a better understanding and renewed love of one’s own. The author, a Japanese musicologist, studied Hindustani music with North Indian masters, both Hindu and Muslim, and concluded that it is the ...
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Training Possibilities for Ethnomusicologists
1960‘An der Wiener Universitat wird Musikethnologie, beziehungsweise vergleichende Musikwissenschaft, seit 1897 gelehrt. Der erste Vertreter des Faches, Richard Wallaschek, wurde 1908 zum Extraordinarius ernannt, ihm folgte sein Schuler Robert Lach, der 1927 nach Guido Adler Ordinarius und Vorstand des Musikwissenschaftlichen Institutes wurde. Unter dessen
Walter Graf +3 more
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