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American Anthropologist, Volume 124, Issue 4, Page 880-884, December 2022.
Fiona Magowan
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With Bruno Nettl’s passing on 15 January this year, the world of ethnomusicology lost one of its major figures, a scholar who significantly contributed to its affirmation as an academic field worldwide, and who inspired and kept supporting generations of
Svanibor Pettan
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This introduction points out some fields of interest concerning music and globalization. Music can be a result of global contact, as well as a focus of new contacts being made. The "postcolonial experience" is often articulated via music.
Alf Arvidsson
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The moving and shifting concept of culture
Today, anthropologists, ethnomusicologists, cultural, and gender scholars are interested in culture not only as it is performed, but as it is continuously done, constructed, maintained through acting, musicking, talking, dancing together.
Helmi Järviluoma-Mäkelä
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Underground testing: Name‐altering practices as probes in electronic music
Abstract Name‐altering practices are common in many creative fields—pen names in literature, stage names in the performing arts, and aliases in music. More than just reflecting artistic habits or responding to the need for distinctive brands, these practices can also serve as test devices to probe, validate, and guide the artists’ active participation ...
Giovanni Formilan, David Stark
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A Preliminary Bibliographical Guide to Doctoral Theses on Music in Nigeria (1990 – 2010)
This study is essentially a referential guide which explores simply, the titles of doctoral degrees in music acquired by Nigerians in the last two decades. It presents a diary of the areas of specialisations of their holders.
Charles Onomudo Aluede
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Romanian ethnomusicology has a series of less discussed and, implicitly, less understood topics. One of them is the relatively vast literature that addresses the new folklore that appeared after the installation of the communist regime and the folk music
Theodor CONSTANTINIU
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With this issue of the Musicological Annual, we celebrate the 70th anniversary of the International Council for Traditional Music (ICTM, founded in 1947 in London) as well as the 20th anniversary of the Cultural and Ethnomusicological Society Folk ...
Svanibor Pettan
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Buddhism and sociocultural changes in Thailand: From Buddhist chant to rap
Abstract This study explores the intersection of Buddhism and sociocultural changes in Thailand, focusing on the transition from traditional Buddhist chant to contemporary rap. Employing Pierre Bourdieu's theories of cultural capital and the sociology of music, this article aims to show how this shift in Buddhist music mirrors broader transformations ...
Wai‐Chung Ho
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Encoding Spatial Experience in Garhwali Popular Music Cassettes [PDF]
Connections between particular sounds and geographically conceived places/spaces seems to be a recurrent part of many repertoires in different parts of the Himalaya. A number of examples exist in which ritual repertoires are linked to pilgrimage pathways,
Alter, Andrew B
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