Results 31 to 40 of about 5,129 (218)
The moving and shifting concept of culture
Today, anthropologists, ethnomusicologists, cultural, and gender scholars are interested in culture not only as it is performed, but as it is continuously done, constructed, maintained through acting, musicking, talking, dancing together.
Helmi Järviluoma-Mäkelä
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A Preliminary Bibliographical Guide to Doctoral Theses on Music in Nigeria (1990 – 2010)
This study is essentially a referential guide which explores simply, the titles of doctoral degrees in music acquired by Nigerians in the last two decades. It presents a diary of the areas of specialisations of their holders.
Charles Onomudo Aluede
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With Bruno Nettl’s passing on 15 January this year, the world of ethnomusicology lost one of its major figures, a scholar who significantly contributed to its affirmation as an academic field worldwide, and who inspired and kept supporting generations of
Svanibor Pettan
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African musics in context: institutions, culture, identity/Ethnomusicology in East Africa: perspectives from Uganda and beyond [PDF]
BOOK REVIEW African musics in context: institutions, culture, identity, edited by Thomas Solomon, Kampala, Uganda, Fountain Publishers, 2015, xxvi + 365 pp., £28.00 (paperback), ISBN 978-9-970-25245-9 Ethnomusicology in East Africa: perspectives from ...
Andrew Eisenberg
core +1 more source
A Corpus of Ukrainian Folk Songs from Podillia
We present a corpus of 1310 symbolically encoded Ukrainian folk songs in musicXML format with lyrics and metadata, mainly from the West-Central part of Ukraine, the Podillia region (encompassing Vinnytsia, Khmelnytsky oblasts).
Inna Lisniak +2 more
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Benjamin Rajeczky the Ethnomusicologist [PDF]
Benjamin Rajeczky's research covers Gregorian chant and folk music.The long ist of his books and studies, the publications he edited and the reviews he wrote provide conclusive evidence of the wide range of his interests in both spheres.
openaire +2 more sources
Still an Ethnomusicologist (for Now) [PDF]
This response defends ethnomusicology against Amico’s call for its end, even as the “ethno-” prefix has already become optional in certain contexts. Addressing Amico’s critiques of gender, repertoire, method, and colonialism, the response argues that ethnomusicologists are thinking creatively about the same set of issues raised by Amico and rejects the
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Romanian ethnomusicology has a series of less discussed and, implicitly, less understood topics. One of them is the relatively vast literature that addresses the new folklore that appeared after the installation of the communist regime and the folk music
Theodor CONSTANTINIU
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With this issue of the Musicological Annual, we celebrate the 70th anniversary of the International Council for Traditional Music (ICTM, founded in 1947 in London) as well as the 20th anniversary of the Cultural and Ethnomusicological Society Folk ...
Svanibor Pettan
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Staging the Semahs: Performing Aleviness in Turkey and Europe
ABSTRACT The semah, a genre of music and movement practices imbued with values of gender, class, age and ethical egalitarianism, lies at the core of the Alevis' ayn‐i cem rituals. Since the 1970s, processes of urbanisation, migration, folklore production and heritage‐making have facilitated the circulation of semah beyond ritual contexts, particularly ...
Sinibaldo De Rosa
wiley +1 more source

