Results 41 to 50 of about 885 (207)
‘You are part of the club’: negotiating the field as a musician–ethnomusicologist [PDF]
Ethnomusicology Forum, 2022 This article explores the position of ethnomusicologists approaching the field with the prior lived experience of being a working/ competent musician, meeting other fellow musicians in all the complexity of each person’s multi-layered background. Within these layers, musical practice and the experience of musicking are central to the relationships ...
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Melodies of the forest: Nature as an improvisational space for shared creative embodiment
People and Nature, Volume 8, Issue 4, Page 871-885, April 2026.Abstract In an era marked by increasing disconnection from nature, innovative approaches to reconnect with the environment are crucial for both ecological and psychological well‐being. This paper explores how natural environments (a deciduous forest of Quebec in the present case study) can serve as an improvisational space for shared creative ...
Antoine Bellemare‐Pepin +2 more
wiley +1 more source
In SituEthnomusicological literature, in addressing the question of folk music revival, devotes little attention to a relevant phenomenon; that is, both the research of ethnomusicologists and performances of revival have had significant repercussions in the ...
Giovanni Giuriati
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Remembering Courtney Cazden, 1925–2025
Reading Research Quarterly, Volume 61, Issue 2, April/May/June 2026.ABSTRACT Here we remember and honor Courtney B. Cazden (1925–2025), whose scholarship, mentorship, and moral clarity profoundly shaped the study of language, literacy, and learning. Drawing on our shared experiences as colleagues, collaborators, students, and friends, we reflect on Courtney's enduring contributions to classroom discourse analysis ...
Kris D. Gutiérrez +5 more
wiley +1 more source
Ethnomusicology and Music Ecosystem [PDF]
, 2019 The existence of musical practices among cultures and societies across the world has long been the concern of the scholars of various field of study. Studies that have been carried out among others bring out an approach called ecosystem of music.
Irawati, Eli, Eli Irawati
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Journal of the Royal Anthropological Institute, Volume 32, Issue 1, Page 293-312, March 2026.What do communicating with a baby, with an animal, and with an ancestor have in common? In all three cases, people engage in opaque communication that is far from the standard psycholinguistic model of transparent interaction based on shared intentionality.
Charles Stépanoff
wiley +1 more source
Phonographic Recordings in Finno‐Ugric Languages in Finnish Archives
Museum Anthropology, Volume 49, Issue 1, Spring 2026.ABSTRACT This review discusses audio recordings made by Finnish scholars among the Russian Arctic people in the early twentieth century and stored in various archives in Finland. The background of the recordings, together with their broader meaning and the possibilities for research they offer, is brought out.
Karina Lukin
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The Ethnomusicologist and the Transmission of Tradition [PDF]
Journal of Musicology, 1996 Most ethnomusicological discussions of the transmission of tradition attempt to document and interpret the manner in which music is communicated over time within a particular setting, giving attention to both the interpersonal dynamics and communication technologies of these processes.2 However, I will focus my inquiry neither on the native carriers of
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Buddhism and sociocultural changes in Thailand: From Buddhist chant to rap
The Australian Journal of Anthropology, Volume 36, Issue 2, Page 292-304, August 2025.Abstract This study explores the intersection of Buddhism and sociocultural changes in Thailand, focusing on the transition from traditional Buddhist chant to contemporary rap. Employing Pierre Bourdieu's theories of cultural capital and the sociology of music, this article aims to show how this shift in Buddhist music mirrors broader transformations ...
Wai‐Chung Ho
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An ethnomusicological perspective for a television documentary film shot in Calabar (Nigeria) [PDF]
, 2022 In August 2012 a television documentary about traditional music was shot in Calabar, Nigeria. The main focus of the documentary was to find the roots of cumbia music, originated by the Afro descendents in the Atlantic coast of Colombia and widespread in ...
D'Amico, Leonardo
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