Results 71 to 80 of about 885 (207)
LIGETI’S ROMANIAN CONCERTO: FROM WAX CYLINDERS TO SYMPHONY ORCHESTRA
Beneath the Romanian Concerto’s colourful orchestral surface, evoking the folk-inspired music of both Bartók and Enescu, lies Ligeti’s early activity as a researcher (1949-1950) at the Folklore Institute in Bucharest.
Bianca ŢIPLEA TEMEŞ
doaj
The terms folklore and tradition (and the derived adjectives) in relation to music have been employed to define the subject of ethnomusicologists’ study. In this article, the meaning of these words is considered in their historical use in ethnomusicology
Linda Cimardi
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ISME and the Twilight of History
In addition to the International Musicological Society there exists an International Society for Music Education, an association (affiliated with UNESCO) that gathers music educators from over 80 countries.
Lorenzo Bianconi
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Discontinuity in the Music of Django Reinhardt
Most analytical literature on jazz still places a premium on structural unity. Early writers, such as Andre Hodeir (1956) and Gunther Schuller (1958), sought to legitimize the music in the eyes of the musicological community by demonstrating its ...
Ben Givan
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The goal of this project, now in its first volume, is to identify and list all available information on the art-music tradition of the Caribbean region - starting with the countries of Bahamas, Guadeloupe, Haiti, Jamaica and the US Virgin Islands.
Gangelhoff, Christine, LeGrand, Cathleen
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This is an important book, and deserves attention from ethnomusicologists, historical musicologists, and students of popular culture across the disciplines.
Aaron A. Fox
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Group singing is globally dominant and associated with social context. [PDF]
Shilton D, Passmore S, Savage PE.
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Nel 1967 Roberto Leydi organizza al Piccolo Teatro di Milano e alla Biennale di Venezia uno spettacolo in forma di concerto di “musica e canzoni popolari dal medioevo ad oggi”.
C. Malatesta
core
Samba de roda, patrimônio imaterial da humanidade Samba de roda, supernal heritage of humanity
Em 2005, o samba de roda, forma musical-coreográfica da região do Recôncavo, na Bahia, foi incluída pela Unesco na sua III Declaração de Obras-Primas do Patrimônio Imaterial da Humanidade.
Carlos Sandroni
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The (Co)Evolution of Language and Music Under Human Self-Domestication. [PDF]
Benítez-Burraco A, Nikolsky A.
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