Results 81 to 90 of about 212 (176)

Representing Performance in Ethnomusicological Studies

El Oído Pensante, 2016
Back in the 1970s a number of ethnomusicologists started to elaborate a theoretical reflection on performance as a central issue in the study of music making. This forced them to develop other ways of visualizing music for their analytical purposes. This
Marco Lutzu
doaj  

African Meter: Measured Music Without “Measures”

Analytical Approaches to World Music
In the measured music of sub-Saharan Africa, time is structured in three types of units: • The beat, namely an isochronous yardstick, a series of equidistant points (often named “basic pulse”, “tactus level”, “regulative or reference beat”), which is ...
Simha Arom
doaj  

Echoes of the 2011 Syrian Uprising in Europe

Music & Minorities
This article investigates how Syrian political and protest songs contribute to enactments of insurgent, precarious, and transnational citizenship across the trajectories of the 2011 Syrian uprising, forced displacement, and resettlement in Europe ...
Ioannis Christidis
doaj   +1 more source

Editorial: The Evolution of Music. [PDF]

Front Psychol, 2020
Nikolsky A, Perlovsky L.
europepmc   +1 more source

Editorial: What Is Musical Creativity? Interdisciplinary Dialogues and Approaches. [PDF]

Front Psychol, 2021
Schiavio A, Bashwiner DM, Jung RE.
europepmc   +1 more source

Music as a Cultural Inheritance System: A Contextual-Behavioral Model of Symbolism, Meaning, and the Value of Music. [PDF]

Behav Soc Issues, 2021
Rehfeldt RA, Tyndall I, Belisle J.
europepmc   +1 more source

Editorial: The Impact of Music on Human Development and Well-Being. [PDF]

Front Psychol, 2020
Welch GF, Biasutti M, MacRitchie J, McPherson GE, Himonides E.   +4 more
europepmc   +1 more source

Anti-Colonial Strategies in Cross-cultural Music Science Research. [PDF]

Music Percept, 2023
Sauvé SA, Phillips E, Schiefelbein W, Daikoku H, Hegde S, Moore S.   +5 more
europepmc   +1 more source

Makhmut Nigmetzyanov: Ethnomusicologist and teacher

Tatarica
Nigmetzyanov Makhmut Nigmedzyanovich (1930–2020) was a musicologist, teacher, and candidate of art history (1972). From 1953 to 1958, he studied at the Kazan State Conservatory in the Faculty of Music Theory and Composition.
openaire   +1 more source

Core systems of music perception. [PDF]

Trends Cogn Sci
Mehr SA.
europepmc   +1 more source