Results 81 to 90 of about 1,439 (111)
Beyond the Staff: “Alternative” Systems in the Graphical Representation of Organized Sound
El Oído Pensante, 2016 In this article, a reflection on the limits of the staff in the representation of organized sound is briefly presented, followed by the consideration of the proposals that some ethnomusicologists have developed to highlight particular aspects of music ...
Enrique Cámara de Landa
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“Should one person be both filmmaker and anthropologist? Or should there be a filmmaker in addition to the anthropologist?” (Heider, 2006, 114) How does this apply in the case of ethnomusicological films?
Hagmann, Lea
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Manual Transcription and Instrumental Analysis of Singing through Praat
El Oído Pensante, 2016 In the field of ethnomusicology, the main tool-of-the-trade for music analysis has been musical transcription on the score, despite its acknowledged cultural bias and the limits of staff notation as a means of representing music conceived and performed ...
Paolo Bravi
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« Bien sûr, les personnes âgées doivent en règle générale être interrogées en priorité. »
In Situ“Of course, as a general rule, older people should be interviewed first”. This methodological precept, taken from a document published by the French National Archives in 1990, simply prolongs the romantic presuppositions which saw the elderly as the ...
Luc Charles-Dominique
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African Meter: Measured Music Without “Measures”
Analytical Approaches to World MusicIn the measured music of sub-Saharan Africa, time is structured in three types of units: • The beat, namely an isochronous yardstick, a series of equidistant points (often named “basic pulse”, “tactus level”, “regulative or reference beat”), which is ...
Simha Arom
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Alan P. Merriam versus Mantle Hood dalam Orientasi Studi Etnomusikologi
, 2002 The anthropological and musicological approaches of ethnomusicology have been extensively discussed by ethnomusicologists. In revealing musical facts, the anthropological approach tends to discern music as a human behavior phenomenon.
Riyadi, Slamet
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Representing Performance in Ethnomusicological Studies
El Oído Pensante, 2016 Back in the 1970s a number of ethnomusicologists started to elaborate a theoretical reflection on performance as a central issue in the study of music making. This forced them to develop other ways of visualizing music for their analytical purposes. This
Marco Lutzu
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Outreach, Inreach, Transreach? - Defining types of musical community engagement
Applied ethnomusicologists are more than just advisors, advocates, or technical experts confined to well‑demarcated cultural or geographic enclaves; they are dynamic catalysts in ever‑shifting transcultural landscapes.
Bleibinger, Bernhard
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“Cutting across the map”: toward an ecology of knowledge applied to the study of ethnomusicology in south Atlantic [PDF]
, 2011 Throughout several centuries, people and cultures from the Iberian Peninsula, Africa, South America and the Caribbean have circulated within the South Atlantic region.
Sardo, Susana
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