Results 71 to 80 of about 712 (128)
Folk dance ensembles within minority ethnic communities (Albanian, Bosniak, Montenegrin, Croatian, Macedonian and Serbian) in Slovenia were formed in the 1990s, after the breakup of Yugoslavia.
Drago Kunej, Rebeka Kunej
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Sins of the Father: Schenker, Schenkerism and Ewell's On Music Theory
Music Analysis, Volume 43, Issue 1, Page 136-174, March 2024.
Bryan J. Parkhurst
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Loran Ober, Muzika drugih. Novi izazovi etnomuzikologije. Beograd: Biblioteka XX vek, 2007. (Laurent Aubert, Music of others. New challenges of ethnomusicology, translation, Beograd 2009)
Marija Ristivojević
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Béla Bartók: The Father of Ethnomusicology
Béla Bartók birthed the field of ethnomusicology as an academic discipline through his tireless pursuits of folk music, his exposition of the sound of the rural people, and his incorporation of folk-style into his own personal compositions.
David Taylor Nelson
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ETHNOMUSICOLOGY PROBLEM IN THE BOOK BY ALAN MERRIAM "MUSIC ANTHROPOLOGY"
The article considers questions of ethnomusicology and anthropology of music in the context of the work of the American anthropologist Alan Merriam devoted to definition of the place of ethnomusicology in space of judgment of theoretical, methodological ...
M. P. Zamotin
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This review is dedicated to the recently published work of Jonathan P.J. Stock and Beverly Diamond (eds)., named “The Routledge Companion to Ethics and Research in Ethnomusicology”, published by Cambridge University Press in the year 2022. The
Razia Sultanova
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On Authorship Criteria in Music and Minority Studies, Ethnomusicology, and Related Disciplines
This editorial discusses selected aspects of Music & Minorities’ (M&M) policy on “Authorship, Contributorship, and Artificial Intelligence,” providing background on the rationale behind the policy and situating the discussion within the broader contexts
Malik Sharif
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Music of Minorities—“The Others from Within”? On terminology and the history of research in Austria
This article looks into the history of the disciplines folk music research and ethnomusicology (comparative musicology) using the Viennese case as a rather representative example for both disciplines. It includes a personal account as the author has been
Ursula Hemetek
doaj
Community Music And Ethnomusicology
This chapter reflects on the similarities and differences between community music and applied ethnomusicology. We argue that to describe a particular study as belonging to one or the other of these sub disciplines is often as much a reflection of scholarly networks and frameworks as it is evidence of differences in methodology or approach.
Cottrell, S.J., Impey, A.
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