Results 1 to 10 of about 144 (89)

Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104.Contributors: Kofi Agawu, Gurminder K. Bhogal, Esther Cavett, Jonathan Dunsby, Julian Horton, Alexandra Monchick, Ian Pace, Henry Stobart and Simon Zagorski‐Thomas, compiled and edited by Esther Cavett

open access: yesMusic Analysis, Volume 42, Issue 3, Page 412-471, October 2023., 2023
ABSTRACT Julian Horton's 2020 article on the ‘necessity of analysis’ delineates previous critiques of music analysis into the performative and the historicist and counters their assumptions. He proposes that analysis remains viable in light of historical, ontological, systemic, discursive, phenomenological and political imperatives.
Kofi Agawu   +8 more
wiley   +1 more source

Resocializing recordings: Collaborative archiving and curating of sound as an agent of knowledge transfer

open access: yesThe Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 193-205, September 2023., 2023
Abstract The authors discuss their methodologies for creating and relistening to recordings in collaboration with Indigenous People in Peru and Venezuela and contextualize them within the discourse about overcoming power structures that shape divides between the Global North and South, in both urban and rural trajectories, and in Western and Indigenous
Matthias Lewy, Bernd Brabec
wiley   +1 more source

Shared soundscapes: The (re)activation of an institutional and individual archive of Peruvian music and dance

open access: yesThe Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 206-218, September 2023., 2023
Abstract “Shared soundscapes” is a key concept that allows us to identify the multiplicity of agencies involved in historical sound recordings and their reactivation today. We use the notion to compare two very different Peruvian case studies concerning Asháninka and Nomatsiguenga peoples of the Central Rainforest and Muchik, Quechua, and mestizo ...
Rocío Barreto   +3 more
wiley   +1 more source

Editors’ introduction to Sound “Repatriation” in South America: The Politics of Collaborative Archive Reactivations

open access: yesThe Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 185-192, September 2023., 2023
Abstract The introduction first gives insights into the state of the art of sound “repatriation” concerning the way historical and current recordings of verbal arts, music, and dance are brought back into circulation in originating communities. Sound restitution also seeks to level the epistemological divide resulting from conventional archiving.
Ingrid Kummels, Gisela Cánepa
wiley   +1 more source

Ethnography in‐sight: Amasonic politics1

open access: yesThe Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 180-184, September 2023., 2023
Abstract The photo captured in 2018 during a one‐week stopover on a trip between two Central Rainforest regions of Peru is the point of departure for a reflection on the use of sound by Asháninka, Nomatsiguenga, and other rainforest peoples for “Amasonic” politics.
Ingrid Kummels
wiley   +1 more source

Islands, the Anthropocene, and Decolonisation

open access: yesAntipode, Volume 55, Issue 4, Page 1255-1274, July 2023., 2023
Abstract The Anthropocene is deployed as incontrovertible fact, yet its foundations merit strong critique to challenge how particular voices and locations are absented, silenced, or enrolled in the fallacies that attend this epochal framework. Other placed, grounded, and scale‐sensitive explanations exist for present and future state scenarios ...
Elaine Stratford   +8 more
wiley   +1 more source

Social transformation through community music projects: A scoping review

open access: yesReview of Education, Volume 14, Issue 1, April 2026.
Abstract This article investigates the hypothesis that music can be a powerful catalyst for social transformation within specific territorial and social contexts. To explore this, a scoping review was conducted, aiming to identify the participants, networks and contexts described in the scientific literature on community music and to critically examine
Noemy Berbel‐Gómez   +3 more
wiley   +1 more source

Remembering Courtney Cazden, 1925–2025

open access: yesReading Research Quarterly, Volume 61, Issue 2, April/May/June 2026.
ABSTRACT Here we remember and honor Courtney B. Cazden (1925–2025), whose scholarship, mentorship, and moral clarity profoundly shaped the study of language, literacy, and learning. Drawing on our shared experiences as colleagues, collaborators, students, and friends, we reflect on Courtney's enduring contributions to classroom discourse analysis ...
Kris D. Gutiérrez   +5 more
wiley   +1 more source

Community music, identity and belonging among Dutchies in Australia: Comparing assimilation to multiculturalism

open access: yesAustralian Journal of Social Issues, Volume 60, Issue 4, Page 1145-1159, December 2025.
Abstract This article discusses variations in the experiences of Dutch identity and belonging to a music‐making group in the Dutch migrant community in Melbourne, Australia. It answers the research question “Which variations of ‘Dutch identity’ are there for the participants and how does music‐making relate to this?”. Feelings of identity and belonging
Karien Dekker   +2 more
wiley   +1 more source

Cultivation of global consciousness through intercultural music engagement

open access: yesAsian Journal of Social Psychology, Volume 28, Issue 3, September 2025.
Abstract This article explores the potential for intercultural music engagement to cultivate global consciousness through an overview of interdisciplinary research into this social practice, and literature on cultural identity, diversity and globalisation more broadly.
Trisnasari Fraser
wiley   +1 more source

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