Results 11 to 20 of about 236 (158)

Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104.Contributors: Kofi Agawu, Gurminder K. Bhogal, Esther Cavett, Jonathan Dunsby, Julian Horton, Alexandra Monchick, Ian Pace, Henry Stobart and Simon Zagorski‐Thomas, compiled and edited by Esther Cavett

open access: yesMusic Analysis, Volume 42, Issue 3, Page 412-471, October 2023., 2023
ABSTRACT Julian Horton's 2020 article on the ‘necessity of analysis’ delineates previous critiques of music analysis into the performative and the historicist and counters their assumptions. He proposes that analysis remains viable in light of historical, ontological, systemic, discursive, phenomenological and political imperatives.
Kofi Agawu   +8 more
wiley   +1 more source

Resocializing recordings: Collaborative archiving and curating of sound as an agent of knowledge transfer

open access: yesThe Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 193-205, September 2023., 2023
Abstract The authors discuss their methodologies for creating and relistening to recordings in collaboration with Indigenous People in Peru and Venezuela and contextualize them within the discourse about overcoming power structures that shape divides between the Global North and South, in both urban and rural trajectories, and in Western and Indigenous
Matthias Lewy, Bernd Brabec
wiley   +1 more source

Shared soundscapes: The (re)activation of an institutional and individual archive of Peruvian music and dance

open access: yesThe Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 206-218, September 2023., 2023
Abstract “Shared soundscapes” is a key concept that allows us to identify the multiplicity of agencies involved in historical sound recordings and their reactivation today. We use the notion to compare two very different Peruvian case studies concerning Asháninka and Nomatsiguenga peoples of the Central Rainforest and Muchik, Quechua, and mestizo ...
Rocío Barreto   +3 more
wiley   +1 more source

Editors’ introduction to Sound “Repatriation” in South America: The Politics of Collaborative Archive Reactivations

open access: yesThe Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 185-192, September 2023., 2023
Abstract The introduction first gives insights into the state of the art of sound “repatriation” concerning the way historical and current recordings of verbal arts, music, and dance are brought back into circulation in originating communities. Sound restitution also seeks to level the epistemological divide resulting from conventional archiving.
Ingrid Kummels, Gisela Cánepa
wiley   +1 more source

Ethnography in‐sight: Amasonic politics1

open access: yesThe Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 180-184, September 2023., 2023
Abstract The photo captured in 2018 during a one‐week stopover on a trip between two Central Rainforest regions of Peru is the point of departure for a reflection on the use of sound by Asháninka, Nomatsiguenga, and other rainforest peoples for “Amasonic” politics.
Ingrid Kummels
wiley   +1 more source

Music Therapy and Medical Ethnomusicology: Distinctive and Connected

open access: yesVoices, 2015
A music therapist and an ethnomusicologist who is also qualified as a music therapist explore some of the ways in which music therapy and medical ethnomusicology might engage a dialogue that is helpful to expanding thinking and practice in both fields ...
Jane Edwards, Oonagh MacMahon
doaj   +1 more source

Medical Ethnomusicology: Wherein Lies Its Potential?

open access: yesVoices, 2015
The connection between music and healing has been both present and perceived for centuries, as evidenced in such famous comments as Congreve’s remark that “Music hath charms to soothe the savage beast, to soften rocks, or bend a knotted oak” (The Healing
Amanda Elaine Daly Berman
doaj   +1 more source

Interview with Rebecca Hope Dirksen

open access: yesJournal of Festive Studies, 2021
Isabel Machado interviews Rebecca Hope Dirksen on After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti (2020). Interview date: Mar 17, 2021 Dr.
Isabel Machado
doaj   +1 more source

Advocating for The Sustainability of Semai Indigenous Music Through The Collaborative Creation of New Traditional Music: A Participatory Action Research (PAR) Methodology

open access: yesHarmonia: Journal of Arts Research and Education, 2021
This article provides a critical reflection on the participatory approach methodology and the collaborative creation approach used in an advocacy project to sustain the musical heritage of the indigenous Semai community in Malaysia. These approaches were
Clare Suet Ching Chan   +1 more
doaj   +1 more source

Towards Applied Ethnomusicology – The Traditional Music Laboratory of the Institute of Music and Dance

open access: yesŁódzkie Studia Etnograficzne, 2016
The text describes the activities of Traditional Music Laboratory of the Institute of Music and Dance, which was established on 17 June 2015 in Warsaw.
Weronika Grozdew-Kołacińska
doaj   +3 more sources

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