Results 131 to 140 of about 369 (166)

Ingmar Bergman's King Lear: A Discussion with Eugenio Barba

Asian Theatre Journal, 1986
(One of the invited productions of the International Theatre Congress of Catalonia in Barcelona, May 19-26, 1985, was Ingmar Bergman's Swedish-language version of King Lear. Eugenio Barba, director of the International School of Theatre Anthropology, Holstebro, Denmark, and ATJ's editor were both in attendance. At the end of the congress they discussed
Eugenio Barba, James R. Brandon
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The Parallel Chile: an Open Letter to Eugenio Barba

New Theatre Quarterly, 1990
On 11 September 1973 the Chilean armed forces, led by General Augusto Pinochet, overthrew the democratically elected Socialist–Communist coalition government of President Salvador Allende Gossens. The coup marked the beginning of severe repression against leftists, trade unionists, journalists, and artists, many of whom were exiled, killed, or merely ...
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Funeral Rites: Eugenio Barba's Feraï

The Drama Review, 1969
In an earlier article [T41] I described Kaspariana, performed by Eugenio Barba's Odin Teatret in Holstebro, Denmark in September 1967. Two years later the Odin Teatret presented another spectacle, Feraï, at the Théâtre des Nations. Feraï enjoyed as much success in Paris, before an audience mostly of students and theatre professionals, as it had several
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Bali and Beyond: Eugenio Barba's Ur-Hamlet

New Theatre Quarterly, 2011
In this article Vicki Ann Cremona traces the development of the complex process of montage used by Eugenio Barba for Ur-Hamlet, based on the oral tale Amleth, which Saxo Grammaticus included in his history of the Danes (circa 1216). Besides Odin Teatret, the project involved a large number of actors and musicians from Bali, Brazil, and Japan, and other
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Eugenio Barba : l'exercice invisible

2000
Eugenio Barba, né en 1936, figure parmi les théoriciens du théâtre les plus connus, non seulement en raison de la longévité de son activité créatrice mais aussi par l'exceptionnelle énergie qu'il a déployée dans la diffusion de sa pensée et l'enseignement des pratiques qui la fondent. En l'an 2000, trente-six ans après la fondation de l'Odin Teatret en
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Eugenio Barba. Der Holstebroer.

1993
L'article discute les propositions d'Eugenio Barba, notamment les pistes ouvertes par son Odin Teatret et son approche de l'anthropologie théâtrale. Il s'intéresse tout particulièrement à la place qu'y joue l'acteur et à la dimension cosmopolite des pratiques et des théories de l'homme de théâtre italo-danois.
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Eugenio Barba : el ejercicio invisible

2007
Eugenio Barba, né en 1936, figure parmi les théoriciens du théâtre les plus connus, non seulement en raison de la longévité de son activité créatrice mais aussi par l'exceptionnelle énergie qu'il a déployée dans la diffusion de sa pensée et l'enseignement des pratiques qui la fondent. En l'an 2000, trente-six ans après la fondation de l'Odin Teatret en
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Eugenio Barba. The Moon Rises from the Ganges: My Journey Through Asian Acting Techniques ed. by Lluis Masgrau, and: The Five Continents of Theatre: Facts and Legends About the Material Culture of the Actor by Eugenio Barba and Nicola Savarese

Asian Theatre Journal, 2021
Jonah Salz
exaly  

Eugenio Barba og Odin Teatrets arbejdsmetode

2009
Om forskellige ...
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Eugenio Barba: lo sciamano nel tempo

2012
Analisi dell'opera complessiva, come pubblicista, del grande regsita pugliese-scandinavo, a partire dall'ultimo testo, La conquista delòla ...
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