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Eugenio Barba and the Odin Teatret
2013Eugenio Barba is a major figure in twentieth-century alternative theatre, whose productions have been created collaboratively since he founded his company, the Odin Teatret, in 1964. Barba’s importance is invariably characterized in terms of his contributions to theatre as a theorist, researcher, director, and teacher.
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‘Big dreams’: An interview with Eugenio Barba
Contemporary Theatre Review, 2006exaly +2 more sources
The Drama Review, 1968
Holstebro is a Danish town which nourishes ambitions rather like those of an Italian Renaissance city-state, where the rise of bourgeois economics was accompanied by dreams of artistic splendor. The Scandinavian Welfare State seems uneasy; there is a kind of neurotic squeak in the well-oiled machinery of daily life.
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Holstebro is a Danish town which nourishes ambitions rather like those of an Italian Renaissance city-state, where the rise of bourgeois economics was accompanied by dreams of artistic splendor. The Scandinavian Welfare State seems uneasy; there is a kind of neurotic squeak in the well-oiled machinery of daily life.
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Eugenio Barba: the movement to theater universality
Învăţământul artistic – dimensiuni culturale, 2022Eugenio Barba is the founder and director of the Norwegian theater Odin, pedagogue, theorist of contemporary theater. She is part of the cohort of directors who have contributed to the creation of the modern lexicon of acting expressiveness. Revealing the cross-cultural aspects and based on contemporary research, Barba aims to reveal the universal ...
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Eugenio Barba: the Latin American Connection
New Theatre Quarterly, 1989The theoretical writings of Eugenio Barba on the nature and disciplines of acting have been a feature of NTQ since its first issue. These writings emerge, of course, from Barba's work with Odin Teatret, which recently celebrated its twentieth anniversary from its base in Holstebro, Denmark – and also from his formative association with ISTA.
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