Наука телевидения, 2016 The article discusses not only the phenomenon of Conchita Wurst, but also the backstory of the demonic tendencies in modern culture, and there being traced a number of performances of «Eurovision» of the late 1990s and 2000s. Scenic character of Conchita
POPOVA L.V. / ПОПОВА Л.В.
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Kultúra, ismeretterjesztés, közszolgálatiság
Symbolon, 2020 Culture, Dissemination, Public Service Experience shows that public service media show slight aversion towards programs the presentation of which should normally be their duty: for example, towards presenting cultural events.
Anna Kós
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Building an intelligent system for answering specialized questions about COVID-19. [PDF]
Procedia Comput Sci, 2023 Dobreva B, Nisheva-Pavlova M.
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Preferencias televisivas de entretenimiento de los jóvenes británicos residentes en la Costa del Sol [PDF]
, 2016 A partir de una investigación más amplia, esta comunicación se centra en el interés por los programas televisivos favoritos de los jóvenes y adolescentes británicos residentes en la Costa del Sol .
Sáiz Díaz, María Jesús
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Rethinking Eurovision Song Contest as a Clash of Cultures
Gazi Akademik Bakış, 2015 Modern era’s understanding of culture overlooked culture, as a social and cultural analysis category as well as a way of life. This point of view has lost its validity and culture gained significance as an area where rulership and power struggle exists ...
Zeynep Merve ŞIVGIN
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National Promotion and Eurovision: from Besieged Sarajevo to the Floodlights of Europe
Contemporary Southeastern Europe, 2015 The Eurovision Song Contest, as an important part of the entertainment industry, has offered European countries a platform for national promotion. The original format has developed over 60 years and has come under scrutiny and criticism as allegations of
Neven Andjelić
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Twitter, la televisión y la audiencia social. ¿Por qué triunfa un espacio en la audiencia social? [PDF]
, 2014 Presentado en el XV Foro de Investigación en Comunicación celebrado en enero de 2014La incorporación de las redes sociales a los tradicionales medios de comunicación ha alterado el ecosistema mediático. En el caso de la televisión, estas transformaciones
González-Neira, Ana +1 more
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L’Eurovision et les frontières culturelles de l’Europe
Cybergeo, 2007 The Eurovision song contest pretends to be the oldest demonstration of european cultural unity, celebrating in 2005 its 50 years. Far from being only a kitsch show, the european song contest ask a certain amount of questions about the cultural frontiers ...
Fabien Venon
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Nieprzekładalność jako mit: krytyczna rewizja pojęcia saudade
PrzekładaniecThis article aims to discuss untranslatability as a myth, using the Portuguese concept of saudade as an example.
Gabriel Borowski
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Music videos as social and religious indoctrination tools: The case of Israel [PDF]
, 2017 A lo largo del tiempo, la música ha sido contemplada como ciencia, como arte y como lenguaje. Precisamente, desde su asociación con el lenguaje, ha sido utilizada como creadora de identidades, ya sean sociales, políticas, religiosas, etc.
González Sánchez, Amalio
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