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Eurovision Song Contest: From Apolitical to Mega‐Political?
Politics &Policy, Volume 53, Issue 3, June 2025.In the realm of a changing geopolitical landscape and the concomitant politicization of culture, this article focuses on how shifts in political orders within the broader context affect and politicize a cultural party.
Christina Öberg
semanticscholar +2 more sources
Eurovision and the City: “United by Music” Meets “Malmö against Genocide”
Urban Planning“United by Music” was the slogan of the 2024 edition of the Eurovision Song Contest, held in Malmö. However, the festive spirit of the event oddly contrasted with what was described as “the largest police operation in Sweden’s history” (Ivarsson, 2024 ...
Myrto Dagkouli-Kyriakoglou +5 more
doaj +2 more sources
Tijdschrift voor MediageschiedenisThe Eurovision Song Contest states that ‘a rich history of promoting diversity [and] inclusivity’ is amongst its core values. Furthermore, the contest claims to able to ‘bridge differences and ignite a sense of shared community.’ Despite this, Catherine ...
Greg Cotton
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Predicting Eurovision Song Contest Results: A Hit Song Science Approach
Transactions of the International Society for Music Information RetrievalPrior studies on hit song prediction have predominantly focused on forecasting a song’s success in music charts, neglecting the examination of song contests such as Eurovision.
Katarzyna Adamska, Joshua Reiss
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La evolución del arte escenográfico en el Festival de Eurovisión
Arte y SociedadDesde su inicio en 1956, el Festival de Eurovisión ha evolucionado de escenarios minimalistas a experiencias híbridas y tecnológicas, integrando luz, espacio y multimedia.
Noelia Dorado Campayo
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Revista de Lingüística y Lenguas AplicadasIn recent years, the opinion that the Eurovision Song Contest has become highly politicised is prevalent in the media and the popular voice, although not much research exists that can attest to this claim.
María García-Gámez +1 more
doaj +2 more sources
Blurring boundaries: Researching self‐tracking and body size through auto‐netnography
Area, Volume 55, Issue 4, Page 481-488, December 2023., 2023 Short Abstract This paper explores the ways in which doing an auto‐netnography through self‐tracking technology led to intensified surveillance of my body size. To understand this, I discuss my experiences of the materiality of self‐tracking, where the blurring of the boundaries between online and offline impacted my feelings around my body size and my
Olivia Fletcher
wiley +1 more source
Eurovision Song Contest: Can juries assess the quality of songs objectively?
Central European Journal of Operations ResearchThis paper analyses the role of jury votes in the Eurovision Song Contest (ESC). We analysed the results of the six ESCs (from 2017 to 2023) in terms of the differences (1) between public and jury votes, (2) among jury votes, and (3) among public votes ...
Nikola Kadoić +2 more
semanticscholar +1 more source
Current Musicology, 2010 Israel’s contenders for the 2009 Eurovision Song Contest (known as the ESC or, as here, Eurovision) were the Israeli Jewish-Arab duo Achinoam Nini and Mira Awad.
Nili Belkind
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Colours of the new face of Serbia: National symbols and popular music [PDF]
Glasnik Etnografskog Instituta SANU, 2009 In this paper I address nationalist iconography in Serbian popular music especially the role of women as the symbols of nation building. Case in point is the victory of Serbian representative Marija Serifovic in Eurovision Song Contest in 2007. I analyze
Mitrović Marijana
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