Results 11 to 20 of about 1,799 (158)

Blurring boundaries: Researching self‐tracking and body size through auto‐netnography

open access: yesArea, Volume 55, Issue 4, Page 481-488, December 2023., 2023
Short Abstract This paper explores the ways in which doing an auto‐netnography through self‐tracking technology led to intensified surveillance of my body size. To understand this, I discuss my experiences of the materiality of self‐tracking, where the blurring of the boundaries between online and offline impacted my feelings around my body size and my
Olivia Fletcher
wiley   +1 more source

Do songs in English do better? Studying linguistic diversity within Eurovision Song Contest entries

open access: yesDiacrítica
Languages at Eurovision have long been a source of debate. The frequent use of English as the primary singing language has raised questions about whether performing in English rather than a national language improves a song’s chances of winning. Studies
Francisco Javier Palacios-Hidalgo   +1 more
doaj   +5 more sources

Cuando el espectáculo supera al medio

open access: yesChasqui, 2015
La digitalización ha llegado, pero faltan contenidos y al parecer sobran plataformas. El programa musical "Operación Triunfo" con más de diez millones de espectadores puede definirse como reality soap. De formato sencillo busca seleccionar a una serie de
José Ángel Cortés Lahera
doaj   +1 more source

»In corpore sano«

open access: yesAnnales, Series Historia et Sociologia
Serbian cultural diplomacy at the Eurovision Song Contest includes both the presentation of elements of the Serbian musical idiom and the effective use of dominant trends in European popular music.
Marko Aleksić
doaj   +1 more source

A Message for Peace or a Tool for Oppression? Israeli Jewish-Arab duo Achinoam Nini and Mira Awad’s Representation of Israel at Eurovision 2009

open access: yesCurrent Musicology, 2010
Israel’s contenders for the 2009 Eurovision Song Contest (known as the ESC or, as here, Eurovision) were the Israeli Jewish-Arab duo Achinoam Nini and Mira Awad.
Nili Belkind
doaj   +1 more source

Eurovision and the City: “United by Music” Meets “Malmö against Genocide”

open access: yesUrban Planning
“United by Music” was the slogan of the 2024 edition of the Eurovision Song Contest, held in Malmö. However, the festive spirit of the event oddly contrasted with what was described as “the largest police operation in Sweden’s history” (Ivarsson, 2024 ...
Myrto Dagkouli-Kyriakoglou   +5 more
doaj   +1 more source

Colours of the new face of Serbia: National symbols and popular music [PDF]

open access: yesGlasnik Etnografskog Instituta SANU, 2009
In this paper I address nationalist iconography in Serbian popular music especially the role of women as the symbols of nation building. Case in point is the victory of Serbian representative Marija Serifovic in Eurovision Song Contest in 2007. I analyze
Mitrović Marijana
doaj   +1 more source

¿Son los debates electorales la nueva Eurovisión? Análisis del seguimiento de dos eventos masivos a través de Twitter [PDF]

open access: yes, 2017
Las redes sociales han transformado el modo en que seguimos los contenidos televisivos. De esta manera, asistimos a la expansión de la televisión social y al aumento del consumo de doble pantalla.
Márquez Martínez, Lucía
core  

State of the Field: The History of Masculinities

open access: yesHistory, Volume 111, Issue 394, Page 5-29, January 2026.
Abstract This State of the Field article discusses how, when and why the history of masculinities has emerged since the 1980s, and why it continues to be an important research field today. The article begins with the field's multiple origin stories and then discusses its expansion in chronology, geography and theme, as well as newer directions for ...
ERICA L. FRASER
wiley   +1 more source

My heart has no colour: Lusotropicalism and Black Lusophone representation in the Eurovision Song Contest 1994 – 1996.

open access: yesTijdschrift voor Mediageschiedenis
The Eurovision Song Contest states that ‘a rich history of promoting diversity [and] inclusivity’ is amongst its core values. Furthermore, the contest claims to able to ‘bridge differences and ignite a sense of shared community.’ Despite this, Catherine ...
Greg Cotton
doaj   +1 more source

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