Results 21 to 30 of about 6,648 (251)
Colours of the new face of Serbia: National symbols and popular music [PDF]
Glasnik Etnografskog Instituta SANU, 2009 In this paper I address nationalist iconography in Serbian popular music especially the role of women as the symbols of nation building. Case in point is the victory of Serbian representative Marija Serifovic in Eurovision Song Contest in 2007. I analyze
Mitrović Marijana
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New perspectives, 2023 The Eurovision Song Contest has long served as a platform for cultural diplomacy among its participants. This paper examines how Russia and Ukraine have approached cultural diplomacy in and around the Eurovision Song Contest in the wake of the Russo ...
Lea M Welslau, Torsten J Selck
semanticscholar +1 more source
International Political Sociology, 2023 This article examines children’s political agency in the context of the Junior Eurovision Song Contest. The Eurovision Song Contest is widely recognized as a political arena—a space for nation branding and soft diplomacy, narratives of European musical
Zoë Jay
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Razón y Palabra, 2023 Eurovision Song Contest es un concurso musical retransmitido por televisión en el que participan los países miembros de la Unión Europea de Radiodifusión (UER).
J. Pérez-Rufí +2 more
semanticscholar +1 more source
Genre, Sexualité et Société, 2023 The Eurovision Song Contest is subject to virulent criticism from the artistic and intellectual elites. Yet, the defense of individual and collective rights of minorities appears to be a particularly sensitive issue.
Oranie Abbes
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Communication & Society, 2023 This study argues that, historically, televised media events managed to become prominent in the public agenda, not only through their live broadcast on television, but also through their long-term, continuous visibility in the print media.
G. Greenwald
semanticscholar +1 more source
Current Musicology, 2010 Israel’s contenders for the 2009 Eurovision Song Contest (known as the ESC or, as here, Eurovision) were the Israeli Jewish-Arab duo Achinoam Nini and Mira Awad.
Nili Belkind
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Popular music and society, 2023 This article examines the Ukrainian electro-folk band Go_A and their multimedial performances of “SHUM” created for the 2021 Eurovision Song Contest. We highlight how Go_A’s performances feature an aesthetics of ecstasy and melancholia despite ongoing ...
M. Reyes, Kristin McGee
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Economic and political dependencies in cultural voting: A gravity model analysis of Eurovision [PDF]
Romanian Journal of Regional ScienceThis paper examines the factors shaping voting behaviour in the Eurovision Song Contest (ESC) by applying a gravity model to bilateral voting data from Grand Finals between 1995 and 2019.
Alina M. Schoenberg +3 more
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The Eurovision Song Contest. Is voting political or cultural? [PDF]
European Journal of Political Economy, 2008 Abstract We analyze the voting behavior and ratings of judges in a popular song contest held every year in Europe since 1956. The dataset makes it possible to analyze the determinants of success, and gives a rare opportunity to run a direct test of vote trading.
Noury, Abdul Ghafar, Ginsburgh, Victor
openaire +2 more sources