Results 41 to 50 of about 944 (211)
, 2020 Australia’s participation in the Eurovision Song Contest and involvement in the organisation of the Asian version of Eurovision (the Eurovision Asia Song Contest) through broadcaster SBS has been celebrated, questioned and criticised.
Woods, Denise
core +1 more source
, 2022 This chapter explores the various modes of “field” research utilised in Eurovision scholarship, from digital ethnography to on-site fieldwork. In particular, it interrogates the idea of what constitutes “on-site”, as well as the blurring of public ...
Hay, Chris, Carniel, Jessica
core +1 more source
JCMS: Journal of Common Market Studies, Volume 63, Issue 6, Page 1685-1709, November 2025.Abstract What is ‘Europe’? The response to this question is not straightforward, as ‘Europe’ is a floating signifier that is in constant renegotiation. In this article, we focus on the imaginary of ‘Europe’ that has been deployed in the most salient international crises of the last years that have heavily shaken European Union (EU) politics: the ...
Alvaro Oleart, Juan Roch
wiley +1 more source
Convergence of professional and amateur coverage of Eurovision Song Contest [PDF]
CM. Communication and MediaIn this paper, the author is attempting to examine the relationship between professionals and amateurs in the world of Eurovision Song Contest reporting, through the prism of the concept of cultural convergence (Jenkins, 2006.). The sample survey is made
Petrović Bojan
doaj +1 more source
Reframing Gender‐Inclusive Language in German Education: Politics, Pedagogy, and Possibilities
Die Unterrichtspraxis/Teaching German, Volume 58, Issue 2, Page 175-185, Fall 2025.ABSTRACT Recently in Germany the question of gender‐inclusive language has become another front in the culture wars. Headlines portray these linguistic innovations as disruptive and unnecessary while politicians across Germany have moved to ban or restrict certain types of inclusive language.
Maureen O. Gallagher
wiley +1 more source
Preference and neglect amongst countries in the Eurovision Song Contest [PDF]
Journal of Computational Social Science, 2018 The Eurovision Song Contest (ESC) has been a growing source of entertainment for millions of viewers. Countries are represented by a single song during a live performance and in an award ceremony scores are exchanged according to their preference. It has been speculated that socio-economic ties influence the awards.
Alexander V. Mantzaris +2 more
openaire +1 more source
Sustainable Tourism and SDGs in the South Caucasus
Sustainable Development, Volume 33, Issue 4, Page 4867-4883, August 2025.ABSTRACT This study examines sustainable tourism practices in the South Caucasus region (Armenia, Azerbaijan, and Georgia) through the lens of the United Nations Sustainable Development Goals (SDGs). A scoping literature review was conducted, analyzing academic papers from Scopus and Web of Science databases. Content analysis and expert validation were
Flavio Martins +5 more
wiley +1 more source
MedieKultur: Journal of Media and Communication Research, 2009 In this article the phenomenon of SMS TV in relation to the Eurovision Song Contest is described from a reception analysis perspective. The article describes how young viewers experience the structure of the Song Contest and the special social event of ...
Thomas Bjørner
doaj
The Nordic vision: Broadcasting Nordicness in the televised Nordic Council prize ceremonies
Orbis Litterarum, Volume 80, Issue 4, Page 302-322, August 2025.Abstract Since 2013, the Nordic Council prizes have been awarded at live broadcast ceremonies in the Nordic countries. The Nordic Council Prize in Literature is the most prestigious, but like the other prizes, it is also part of a regional political project by the Nordic Council based on a culture of prize‐giving.
Henrik Fürst, Johanna Pettersson Fürst
wiley +1 more source
'Anyone who is worth something, went away' - Rambo Amadeus, Eurosong and Tourism in Montenegro [PDF]
In Medias Res, 2013 In this paper, I will focus my attention on the latest song by Rambo Amadeus, titled Euro Neuro, and it’s music video, that are meant to represent Montenegro on the Eurovision song contest.
Adriana Sabo
doaj