Results 21 to 30 of about 944 (211)
Genre, Sexualité et Société, 2023 The Eurovision Song Contest is subject to virulent criticism from the artistic and intellectual elites. Yet, the defense of individual and collective rights of minorities appears to be a particularly sensitive issue.
Oranie Abbes
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Current Musicology, 2010 Israel’s contenders for the 2009 Eurovision Song Contest (known as the ESC or, as here, Eurovision) were the Israeli Jewish-Arab duo Achinoam Nini and Mira Awad.
Nili Belkind
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Economic and political dependencies in cultural voting: A gravity model analysis of Eurovision [PDF]
Romanian Journal of Regional ScienceThis paper examines the factors shaping voting behaviour in the Eurovision Song Contest (ESC) by applying a gravity model to bilateral voting data from Grand Finals between 1995 and 2019.
Alina M. Schoenberg +3 more
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“Much More than a Song Contest”: Exploring Eurovision 2014 as Potlatch
Valuation Studies, 2015 As economic and budgetary scandals reached Danish front pages in 2014 over the Eurovision Song Contest (ESC) held that year in Copenhagen, many bystanders questioned the sense of the event, proclaiming it a massive waste of public money. In this article,
Morten Krogh Petersen, Carina Ren
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AM: Art + Media, 2016 In this paper, the author questions the role of musical genre presented on the Eurovision Song Contest in the context of the unity in diversity concept, recognized as one of the markers of European cultural identity.
Marija Maglov
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Gender and Geopolitics in the Eurovision Song Contest
Contemporary Southeastern Europe, 2015 Catherine Baker
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Non-Musical Dimensions of the Eurovision Song Contest
, 2021 Eurovision terimi ilk kez, 1950’lerde Avrupa Yayın Birliği’ne (EBU) bağlı olan kurumlar tarafından, bir ağ paylaşım sistemi oluşturma çerçevesinde kullanılır. 1955 yılında, savaş sonrası Avrupa kıtası yayıncılığında birleştirici etki yapacak bir etkinlik
GENÇ, Buket, Buket GENÇ
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Understanding the Eurovision Song Contest in multicultural Australia: we got love
, 2018 This book presents the first in-depth study of the Eurovision Song Contest from an Australian perspective. Using a cultural studies approach, the study draws together fan interviews and surveys with media and textual analysis of the contest itself.
Carniel, Jessica
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Spijkervet/eurovision-dataset: 2020.0
, 2020 The Eurovision Song Contest Dataset is a freely-available dataset containing audio features, metadata, contest ranking and voting data of 1562 songs that have competed in the Eurovision Song Contests between 1956 and ...
Janne
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When Seve met Bregovi?: folklore, turbofolk and the boundaries of Croatian musical identity [PDF]
, 2008 Popular music in Croatia has consistently been a field where the boundaries of national cultural identity are set, contested and transgressed. The most contentious boundaries involve Serbian culture and the abstract “east”, to which essentialized ...
Baker, Catherine, Baker, C.
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