Results 21 to 30 of about 1,974,521 (288)
PORTAL: Journal of Multidisciplinary International Studies, 2016 Collective improvisation as a creative practice is intensely social, trusting, unpopular, anti-hierarchical and, for these reasons, political. Cooper describes the risks and rich rewards of improvising with fellow artists and identifies the parallels ...
Clare M. Cooper
doaj +1 more source
Noise is Not Volume Alone – Ambiences and Drony Experiments in Music and Sound Art
Revista Vortex, 2021 Noise is a complex category that has been used to describe instances of disturbance and disruption in technical vocabulary and in many artistic languages. In music, and more precisely, in sound art, noise has been imbued with specific significations that
Ianni Luna
doaj +1 more source
The three-nucleon system as a laboratory for nuclear physics: the need for 3N forces [PDF]
, 2007 Recent experimental results in three-body systems have unambiguously shown that calculations based on nucleon-nucleon forces fail to accurately describe many experimental observables and one needs to include effects which are beyond the realm of the two ...
Epelbaum, E., Kalantar-Nayestanaki, N.
core +2 more sources
Understanding experimentation as improvisation in arts research [PDF]
Qualitative Research Journal, 2015 Purpose – The purpose of this paper is to address the following questions: in what sense does experimentation as improvisation lead to methodological innovation? What are the implications of artistic experimentation as improvisation for education and learning?
Douglas, Anne, Gulari, Melehat Nil
openaire +2 more sources
In the Turbine of Experimentation: Tate Modern and the New (?) Rationale of Collective Performance
Angles, 2018 Artistic experimentation, as well as the concepts elaborated to define it, have undergone considerable changes since the age of the avant-gardes and yet experimentation still retains some of its critical purchase.
Catherine Bernard
doaj +1 more source
Rotting Sounds . Artistic Research Practice in Experimental Sound Art [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2022 The majority of today’s media is produced in the digital domain. Although digital data are adorned by a myth of perfection, everyday experience does provide evidence for the existence of degradation and, ultimately, data loss in various forms.
Thomas Grill +2 more
doaj +1 more source
Emil Fischer and the “art of chemical experimentation” [PDF]
History of Science, 2017 What did nineteenth-century chemists know? This essay uses Emil Fischer’s classic study of the sugars in 1880s and 90s Germany to argue that chemists’ knowledge was not primarily vested in the theories of valence, structure, and stereochemistry that have been the subject of so much historical and philosophical analysis of chemistry in this period. Nor
openaire +3 more sources
Experimental Film Between Art and Tehnology [PDF]
SEA: Practical Application of ScienceThe industry of experimental film is a current topic – an industry that is relatively small and marginalized compared to the industry of commercial film – supported by a dedicated community of artists and filmmakers that continue to produce and promote ...
Adrian ZĂVOIANU, Alexandra IOANID
doaj +1 more source
Cinematic street art? Exploring the limits of the philosophy of street art
Aisthesis, 2023 As artforms, film and street art seem incompatible. Contra this incompatibility, I investigate their combination: cinematic street art. Two promising cases are the artworks MUTO and Repopulate, but I argue neither is suitable.
Logan Canada-Johnson
doaj +1 more source
Towards a millivolt optical modulator with nano-slot waveguides [PDF]
, 2007 We describe a class of modulator design involving slot waveguides and electro-optic polymer claddings. Such geometries enable massive enhancement of index tuning when compared to more conventional geometries.
Baehr-Jones, Thomas +6 more
core +1 more source