Results 11 to 20 of about 88,070 (229)
The Phospholipid Bis(monoacylglycero)Phosphate Confers Antitumour Immunogenicity to Exosomes Secreted by Dendrogenin A, Which Activates Its Biosynthesis in Tumour Cells. [PDF]
Dendrogenin A stimulates, via LXRβ, the expression and activity of enzymes responsible for the biosynthesis of the phospholipid BMP. BMP is a key determinant of the antitumour immunogenicity of exosomes secreted by DDA‐treated melanoma and triple‐negative breast cancer cells and enhances mouse survival and anti‐PD‐1 therapy in melanoma.
Buñay J +11 more
europepmc +2 more sources
“Dwindling Down to Farce”?: Aphra Behn’s Approach to Farce in the late 1670s and 80s
In spite of her criticism against farce in the paratexts of The Emperor of the Moon (1687), Aphra Behn makes an extensive use of farcical elements not only in that play and The False Count (1681), which are actually described as farces in their title ...
Jorge Figueroa Dorrego
doaj +1 more source
“some kind of thing it aint us but yet its in us”: David Mitchell, Russell Hoban, and metafiction after the millennium [PDF]
This article appraises the debt that David Mitchell’s Cloud Atlas owes to the novels of Russell Hoban, including, but not limited to, Riddley Walker. After clearly mapping a history of Hoban’s philosophical perspectives and Mitchell’s inter-textual genre-
Adorno T. W. +37 more
core +2 more sources
Юмористический тон как маркер авторского взгляда в комедиях Надежды Птушкиной
The article considers comic humour as an emotional and semantic component of the statements in two comedies written by Nadezhda Ptushkina: Paying ahead and Come and take away, which can be attributed to popular mass literature.
Natalia Maliutina
doaj +1 more source
Theorizing Audience and Spectatorial Agency [PDF]
This chapter analyses Georgian audiences and spectatorial agency through several lenses: psychoanalytic film theory, theories of the public sphere and of mass publicity, and media studies of cultural convergence.
Bolton, Betsy
core +2 more sources
The historical and political prototypes are the material for the creation of bright and memorable images in the novel by M.A. Bulgakov “Fatal eggs” are described: A.S. Rokk (chief commander of the Workers' And Peasants' Red Army S.S.
Vladimir Viktorovich Kolchanov
doaj +1 more source
« Tant serieux que facecieux » : les prologues de Bruscambille et la littérature sério-comique
This article examines the ways in which theatrical prologues by Bruscambille (?-c. 1634) belong to a serio-comic tradition. Addressed to the audience at the Hôtel de Bourgogne in Paris and to numerous readers, the texts are thus representative of a type ...
Hugh Roberts, Annette Tomarken
doaj +1 more source
This study aims to address the stigmatization and reductionism of Central European culture by many scholars and to decentralize it. At the Crossing Borders with Shakespeare Since 1945 conference, the roundtable discussion raised questions about naming ...
Uroš Trefalt
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Les abîmes de la réprésentation: ironie et métalangage dans «La Farce de Maistre Pierre Pathelin»
Resumo: Este artigo procura fazer uma leitura metalingüística da peça medieval anônima La Farce de Maistre Pierre Patherlin enquanto uma obra que representa, através da técnica da mise en abîme, a necessidade da arte de representar a si mesma e a de ...
Matosalém Vilarino Pereira Júnior
doaj +1 more source
The novel “The Fatal Eggs” by M.A. Bulgakov is analyzed. Its satirical vector is secret literature fact about L.D. Trotskiy and his surroundings. The composition of farce and its borders of embeddedness in the text are defined.
Vladimir Viktorovich Kolchanov
doaj +1 more source

