Results 11 to 20 of about 494,864 (295)
Tangible Body Maps of Felt-Sensing Experience
Proceedings of the Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction, 2021 There is a growing interest amongst the HCI community to access and articulate the core of experiences for design use. The premise is that, by accessing detailed accounts of everyday experiences, we can obtain refined material for the design of interactive systems more connected with our bodies and emotions.
Claudia Núñez-Pacheco +2 more
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The experience of felt presence in a general population sample
The British Journal of PsychiatrySummaryFelt presence is a widely occurring experience, but remains under-recognised in clinical and research practice. To contribute to a wider recognition of the phenomenon, we aimed to assess the presentation of felt presence in a large population sample (n = 10 447) and explore its relation to key risk factors for psychosis.
Sanne G. Brederoo +4 more
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Felt Sound: A Shared Musical Experience for the Deaf and Hard of Hearing
, 2020 We present a musical interface specifically designed for inclusive performance that offers a shared experience for both individuals who are deaf and hard of hearing as well as those who are not. This interface borrows gestures (with or without overt meaning) from American Sign Language (ASL), rendered using low-frequency sounds that can be felt by ...
Doga Cavdir, Ge Wang
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Haptic Illusions and Imagined Agency: Felt Resistances in Sonic Experience
Contemporary Music Review, 2013 Sounds appear to hold a resistance within themselves, a resistance different from the physical resistance one engages with when playing a musical instrument. I here argue that this felt resistance or tactility can be heard in the sounds cross-modally by listeners and experienced despite the transparency of instrumental actions and effort an expert ...
Deniz Peters (Doktoratsschule für das künstlerische Doktoratsstudium, Universität für Musik und darstellende Kunst Graz)
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What are the sources of patient experience feedback in the UK prison setting, and what do patients and healthcare staff think about giving and receiving feedback in prison?:A qualitative study [PDF]
, 2022 oai:pxjournal.org:journal-1603Background: The collection of patient experience feedback (PEF) has seen a marked global increase in the past decade. Research about PEF has concentrated mainly on hospital settings albeit a recent interest in primary care ...
Frances Hankins +12 more
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Using Aesthetic Response - A Poetic Inquiry to Expand Knowing, Part I: The Rx6-Method
Voices, 2017 A step-wise research procedure of arts-based research (ABR) called the Rx6 method is presented. This ABR method is informed by expressive arts therapy, heuristic inquiry, attachment theory, and contemporary affective neuroscience, and is aimed at ...
Anna Gerge +2 more
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Heliyon, 2023 Recent constructionist theories have suggested that language and sensory experience play a crucial role not only in how individuals categorise emotions but also in how they experience and shape them, helping to acquire abstract concepts that are used to ...
Michelle Giraud +2 more
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Descriptive survey of women’s childbirth experiences in two state hospitals in KwaZulu-Natal
Curationis, 2021 Background: Giving birth is one of the most important events in a woman’s life and is a highly individualistic and unique experience. Objectives: The study aimed to describe women’s childbirth experiences in two state hospitals in KwaZulu-Natal. Method:
Uwonkunda P. Mutabazi, Petra Brysiewicz
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BMC Medical Education, 2007 Background We undertook a needs assessment exercise using questionnaire survey of junior doctors' knowledge and beliefs concerning evidence-based medicine (EBM) and critical literature appraisal, as this is a core competence in postgraduate medical ...
Wall David +2 more
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Susanne Langer on Music and Time
Estetika, 2021 Susanne Langer’s idea of the primary apparition of music involves a dichotomy between two kinds of temporality: ‘felt time’ and ‘clock time’. For Langer, musical time is exclusively felt time, and in this sense, music is ‘time made audible’.
Eran Guter, Inbal Guter
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