Results 1 to 10 of about 604 (150)

Face Image Inpainting of Tang Dynasty Female Terracotta Figurines Based on an Improved Global and Local Consistency Image Completion Algorithm

open access: yesApplied Sciences
Tang Dynasty female terracotta figurines, as important relics of ceramics art, have commonly suffered from natural and man-made damages, among which facial damage is severe.
Qiangqiang Fan   +3 more
doaj   +3 more sources

Composite Female Figurines and the Religion of Place: Figurines as Evidence of Commonality or Singularity in Iron IIB-C Southern Levantine Religion?

open access: yesReligions
Much attention has been paid to female, pillar-based figurines from Iron II Judah, and the veneration of a major goddess in that territory. Similarly, female figurines throughout the Levant have largely been treated as evidence of goddess-worship, writ ...
Erin Darby
doaj   +3 more sources

Female Figurines of the Kostenki Type: Style and Image

open access: yesBulletin of the Irkutsk State University Geoarchaeology Ethnology and Anthropology Series, 2022
The paper considers 15 figurines from the Kostenki 1, Avdeevo, Gagarino, and Willendorf sites. For comparison, representations of two modern female figures are employed. In eight cases, we used copies of the statuettes (collection St Petersburg State University) for interpretation of the measurements.
exaly   +2 more sources

On the Authenticity of Two Presumed Paleolithic Female Figurines from the Art Market

open access: yesHeritage
In March 2022, an auction house in Zurich sold two female figurines made from mammoth ivory, along with other prehistoric artefacts. This is a rare occurrence because the scarcity and value of Paleolithic figurines have limited their presence in the ...
Sibylle Wolf   +3 more
doaj   +3 more sources

“Little women”: Gender, performance, and gesture in Mycenaean female figurines

open access: yesJournal of Anthropological Archaeology, 2020
Abstract This paper examines Mycenaean female figurines, focusing on their gesture, posture, and dress as evidence for somatic messages of Mycenaean female personhood and identity and what this might tell us about women’s lives in Late Bronze Age Greece. The primary focus is on the corporeal messages encoded in the figurines, with reference to Butler’
Louise Steel
exaly   +3 more sources

Who’s Afraid of the Goddess? Leopard’s Tale, Menopausal Syndrome: Terms of Debate within Archaeology

open access: yesStudia Mythologica Slavica, 2022
This article presents an insight into archaeological disputes around female Neolithic figurines, starting with a historical overview of main academic interpretations of the figurines.
Arianna Carta
doaj   +1 more source

Iron Age Terracotta Figurines from the Southern Levant in Context

open access: yesLes Carnets de l’ACoSt, 2022
The volume deals with the iconography, typology, and find context of female, male, animal, and furniture figurines and discusses their production, appearance, and provenance, including their identification and religious functions.
Erin D. Darby, Izaak J. de Hulster
doaj   +1 more source

Déesses gravides et déesses mères dans les cultes de Kition

open access: yesCahiers du Centre d’Études Chypriotes, 2021
This paper aims to investigate the context of the terracotta figurines from Kition representing pregnant goddesses, some of which have large ears. It will be an opportunity to discuss the interaction between the figurines and the Phoenician dedications ...
Pauline Maillard
doaj   +1 more source

Appropriating Canaanism: Ruth Patir’s Reanimation of Judean Pillar Figurines

open access: yesArts, 2022
This article addresses a body of works by the video artist Ruth Patir, in which Israeli womanhood in the 2020s is interrogated through Iron Age female statuettes, known as Judean Pillar Figurines.
Hava Aldouby
doaj   +1 more source

The Naked Elamite Figurine: A Talisman to Facilitate Difficult Labor [PDF]

open access: yesJournal of Research on History of Medicine, 2021
During the Elamite Middle Ages (around the mid-second millennium BC) in the city of Susa in Iran, the remnants of a naked young female figurine with a wide pelvic cavity which has kept its breasts with two hands have long left scholars to think about its
Maryam Navi, Reza Nouri Shadmahani
doaj  

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