Results 111 to 120 of about 192,801 (309)

The Role of Māori Values in Corporate Culture and CSR: A Comparative Study in Aotearoa‐New Zealand's Fishing Industry

open access: yesSystems Research and Behavioral Science, EarlyView.
ABSTRACT This study explores the interaction of organisational culture, corporate social responsibility (CSR) and Indigenous values in Aotearoa‐New Zealand's fishing industry, focusing on Māori‐owned and non–Māori‐owned companies. It reveals how Māori values shape company culture and how CSR aligns with them. Using Hofstede's cultural dimensions theory,
Davood Askarany, Jenny Lam
wiley   +1 more source

Colleen Carroll Campbell: Catholicism, Feminism, and Women Saints [PDF]

open access: yes, 2014
Many views of modern day feminism appear to contradict the teachings of the Catholic Church. However, Colleen Carroll Campbell, an award-winning author and journalist, was determined from a young age to reconcile feminism with Catholicism.
Dulmaine, Hannah
core   +1 more source

Violence, Volition, and Volatility: The Embodied Subjectivity of Women in Cults

open access: yesSymbolic Interaction, EarlyView.
This paper explores the embodied experience of 25 women who are former cult members. By delving into the stories of three protagonists, we examine how these women engaged with and possibly redefined the cult's socially constructed notion of womanhood.
Shirly Bar‐Lev, Michal Morag
wiley   +1 more source

La visión femenina de una vida auténtica en la novela El velo pintado de W. Somerset Maugham

open access: yesChurch, Communication and Culture, 2019
A poem by Shelley gives the title to William Somerset Maugham’s novel The Painted Veil, published in 1925. The moral of the poem is very pessimistic: the veil of life should not be lifted, because underneath there is no truth.
Antonio Malo
doaj   +1 more source

“I'm a Good Guy Who Deserves Better, Yet Nobody Wants to Give me Better”: The Accounts of Nice Guys

open access: yesSymbolic Interaction, EarlyView.
Within Western popular culture and online discourse, a “Nice Guy” is someone who enacts niceness for which they believe they are owed, deserving of, or entitled to something in return—especially the romantic or sexual attention of women. In this study, we examine the use of accounts in personal narratives told in an anonymous online discussion forum ...
Brooke Weinmann, Dennis D. Waskul
wiley   +1 more source

“All Native Speakers” at Singapore's ESL Schools: Implications for TESOL Communities in the Pursuit of Diversity‐Based Professionalism

open access: yesTESOL Quarterly, EarlyView.
Abstract This study explores an understudied question of who teaches English in the Singaporean English language teaching (ELT) industry. Study 1 analyzed the website contents of ESL schools, and Study 2 conducted questionnaire surveys and interviews with three schools.
Yoko Kobayashi
wiley   +1 more source

Femininity as a virtual object. Interacting with the Japanese girl-machines: Shiori, Monika, Miku, and Kizuna

open access: yesRevista Teknokultura
Since the rise of postmodern critical theory and gender related activism, femininity can be understood as a discursive phenomenon and a matter of culture.
Magdalena Correa Blázquez
doaj   +1 more source

Constructions of health, weight and bodily appearance among Indo-Fijian women across three generations : a thesis presented in partial fulfilment of the requirements for the degree of Master of Science in Psychology at Massey University [PDF]

open access: yes, 2014
Discursive constructions of a 'thin ideal' body shape today have often associated the slender body to the idea of a 'healthy weight' and physical beauty.
Nath, Namrata
core  

A Femininomenon: Leadership Development Through Representation On‐Screen

open access: yesNew Directions for Student Leadership, Volume 2025, Issue 185, Page 67-74, Spring 2025.
ABSTRACT Historically, films and television centered men, but there has recently been a shift toward focusing on women and people of color (and women of color) in leading roles. Films and shows like Black Panther, Barbie, and Ashoka reflect this trend, offering more complex stories and diverse representation.
Kathleen Callahan
wiley   +1 more source

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