Teaching Post-Pornography [PDF]
, 2018 This article introduces the term ‘post-pornography’, drawing on diverse texts from the last three decades. We propose that ‘post-pornography’ expands Porn Studies beyond its focus on explicit representations of sex.
Gregory, Tim, Lorange, Astrid
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Video Art by Mexican Women Artists in the 21st Century. Context and Dissemination [PDF]
, 2015 The new art history arises, from an interdisciplinary view, theoretical and practical embodiment issues related with contemporary art and its inclusion and development in university world.
Castañer López, Xesqui
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The Familial Grotesque in the Poetry of Shirley Geok-lin Lim [PDF]
, 2019 Framing the representation of the family in Shirley Lim’s poetry against the concept of the grotesque, this essay aims to demonstrate how the aesthetic category is arguably enlisted as a symbol referring to the trope – or more accurately, with ...
Ng, Andrew Hock Soon
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Weighing the work of love: on Kate Davis's re-visioned iconoclasm [PDF]
, 2018 This essay offers a close reading of recent work by Glasgow-based artist Kate Davis to argue that her practice engages iconoclasm in ways importantly modified by her feminist commitments.
Paterson, Dominic
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‘Countering memory loss through misrepresentation: what does she think feminist art history is?’, Julie M. Johnson, The Memory Factory: The Forgotten Women Artists of Vienna 1900 [PDF]
Journal of Art Historiography, 2013 Johnson offers a detailed study of women in the Viennese avant-garde art movements between 1880 and 1940, detailing both the careers and the critical/public reception of their contributions to various Vienna art groups.
Griselda Pollock
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On Feminist Aesthetics and Anti-Propaganda in Russia
Arts, 2022 The feminist agenda in Russia experienced a phase of intense aesthetic search in the field of contemporary art and contemporary theater. The split in society, war, increased censorship and state propaganda, and mass emigration stopped this process ...
Mila Bredikhina
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Le mouvement féministe et l’art en Midi-Pyrénées dans les années 1970-1980
Les Cahiers de Framespa, 2018 Toulouse art is rarely tackled through its avant-gardes and its political commitment. However, during the years 1970-1980, several forms of support for the artistic creation of women and various creations emerged from the feminist movement in Toulouse ...
Jessica Ibre
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Corrections, interrogations and politics of local/global exchanges in feminist art criticism
Revista do Instituto de Estudos BrasileirosIn this essay, I outline what an art history of feminist art criticism might consist of and argue that it should not be confined either to a return to “origin” stories of a few great critics or a focus only on what a critic says about their encounter ...
Katy Deepwell
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La Chola desnuda de Alfredo Guido (1924): ficciones nacionales, ficciones femeninas
Nuevo mundo - Mundos Nuevos, 2015 Since the 1970s on, the feminist critique of art history has changed radically the way we look at images. The first feminist art historians analyzed representations of the female, viewing it as a passive object at service of the male gaze.
Georgina G. Gluzman
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Political games and artistic representation
Miejsce, 2022 Based on a case study of a work by Hungarian neo-avant-garde artists Gyula Pauer’s The Beauty of Hungary 1985-1996, the article examines the relationship between art and gender politics in the period before the 1989 regime change in Hungary.
Ágnes Eperjesi
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