‘Countering memory loss through misrepresentation: what does she think feminist art history is?’, Julie M. Johnson, The Memory Factory: The Forgotten Women Artists of Vienna 1900 [PDF]
Journal of Art Historiography, 2013 Johnson offers a detailed study of women in the Viennese avant-garde art movements between 1880 and 1940, detailing both the careers and the critical/public reception of their contributions to various Vienna art groups.
Griselda Pollock
doaj
On Feminist Aesthetics and Anti-Propaganda in Russia
Arts, 2022 The feminist agenda in Russia experienced a phase of intense aesthetic search in the field of contemporary art and contemporary theater. The split in society, war, increased censorship and state propaganda, and mass emigration stopped this process ...
Mila Bredikhina
doaj +1 more source
Le mouvement féministe et l’art en Midi-Pyrénées dans les années 1970-1980
Les Cahiers de Framespa, 2018 Toulouse art is rarely tackled through its avant-gardes and its political commitment. However, during the years 1970-1980, several forms of support for the artistic creation of women and various creations emerged from the feminist movement in Toulouse ...
Jessica Ibre
doaj +1 more source
Corrections, interrogations and politics of local/global exchanges in feminist art criticism
Revista do Instituto de Estudos BrasileirosIn this essay, I outline what an art history of feminist art criticism might consist of and argue that it should not be confined either to a return to “origin” stories of a few great critics or a focus only on what a critic says about their encounter ...
Katy Deepwell
doaj +1 more source
Études Britanniques ContemporainesThis article explores the emergence and impact of the Women’s Art History Collective (WAHC), founded in London in 1973, as part of the broader sociopolitical movements of the 1960s and 1970s in the United Kingdom.
Emma Roques
doaj +1 more source
La Chola desnuda de Alfredo Guido (1924): ficciones nacionales, ficciones femeninas
Nuevo mundo - Mundos Nuevos, 2015 Since the 1970s on, the feminist critique of art history has changed radically the way we look at images. The first feminist art historians analyzed representations of the female, viewing it as a passive object at service of the male gaze.
Georgina G. Gluzman
doaj +1 more source
Political games and artistic representation
Miejsce, 2022 Based on a case study of a work by Hungarian neo-avant-garde artists Gyula Pauer’s The Beauty of Hungary 1985-1996, the article examines the relationship between art and gender politics in the period before the 1989 regime change in Hungary.
Ágnes Eperjesi
doaj +1 more source
Pour une histoire queer de l’art : récits alternatifs et expériences de déplacement
Perspective, 2022 The recent renewal of feminist and gender studies within the field of art history has crystallised around the term “queer”, which is associated with the practices and theories of sexual in-betweens and the fluidity of gender representations.
Damien Delille
doaj +1 more source
Advanced Materials, EarlyView.Ultrathin lithium metal anodes (≤15 µm) offer a promising route to high‐energy‐density batteries due to their high capacity and low potential. This review presents design principles for ultrathin Li, evaluates fabrication strategies, and discusses challenges in liquid and solid‐state cells.
Cheng Wang +9 more
wiley +1 more source
"Our project is not to add to art history as we know it, but to change it.” The establishment of the Association of Art Historians and the emergence of feminist interventions, 1974-1990 [PDF]
Journal of Art Historiography, 2018 This article charts the establishment of the UK Association of Art Historians and its publishing organ Art History in the period 1974 to 1990. It investigates the synergetic relationship between that professional organisation and emergent feminist ...
Victoria Horne
doaj